Malwa Court - India Painting

Collection by Sasha Lambert

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Indian ragamala painting

Sasha Lambert
 Madya Pradesh, Malwa, circa "Asavari is longing for her husband and climbs the Malay mountains. All the snakes desert their sandal trees and writhe and coil their bodies. Pichwai Paintings, Mughal Paintings, Abstract Paintings, Ancient Indian Art, Indian Folk Art, India Painting, Silk Painting, Painting Tips, Painting Art

an illustration to a ragamala ||| figurative

Asavari Ragini longing for her husband climbs the Malay mountains. All the snakes desert their sandal trees and writhe and coil their bodies. Malwa, ca 1650.

Khambhavati Ragini (A Woman Worshipping Brahma) Page from a dispersed ragamala series Made in Madhya Pradesh, Malwa Region, India, Asia ca. Indian Music, Indian Art, India Painting, India Asia, Philadelphia Museum Of Art, Madhya Pradesh, Hindus, Paper Dimensions, Traditional Art

Khambhavati Ragini (A Woman Worshipping Brahma)

Khambhavati Ragini A Woman Worshipping Brahma

Hindola Raga, Folio from a Ragamala (Garland of Melodies) India Painting, Indian Artist, Art And Architecture, Garland, Medieval, Paintings, History, Drawings, Collections

Hindola Raga, Folio from a Ragamala (Garland of Melodies)

Hindola Raga, Folio from a Ragamala (Garland of Melodies), Unknown, India, Madhya Pradesh, Malwa, circa 1650, Drawings, Opaque watercolor, gold, and ink on paper.

inch Canvas Print (other products available) - Radha and Her Confidant Sit in an Open Room: Page from a Dispersed Rasikapriya , ca. - Image supplied by Heritage Images - Box Canvas Print made in the USA Vintage Wall Art, Vintage Walls, Fine Art Prints, Canvas Prints, Framed Prints, India Painting, Historical Maps, Indian Art, Heritage Image

Radha and Her Confidant Sit in an Open Room: Page from a Dispersed Rasikapriya | India (Madhya Pradesh, Malwa) | The Metropolitan Museum of Art

In the Rasikapriya the poet Keshav Das addresses love in all its various aspects, focusing on secret desires and their outward manifestations. Here, Radha speaks to her confidante and go-between, undoubtedly arranging a secret meeting with her lover, Krishna

Ancient and Islamic Art India Painting, Miniature Paintings, Indian Artist, Islamic Art, Art And Architecture, In A Heartbeat, Traditional Art, Gouache, Art For Sale

Ancient and Islamic Art | Sale n°2953 | Lot n°200 | Artcurial

SRI RAGA, INDE, ÉCOLE DE MALWA, FIN DU 17ÈME SIÈCLE Gouache et or sur papier. Illustration d'un Ragamala. Un prince assis dans un pavillon écoute la musique interprétée par les musiciens célestes Narada et Tamburu. Derrière lui, un serviteur agite un murchal. Usures, bords déchirés. Miniature : 21,8 x 15,7 cm Provenance : Collection Szerer, Paris Ce raga exprime un sentiment de calme et la méditation. En musique, Sri Raga s'interprète en fin de journée, en hiver. An illustration to…

Paradhin Nayika - the heroine who succumbs totally to her lover. Rasavali of Puhakar. Malwa, ca. National Museum of New Delhi Mughal Miniature Paintings, India Painting, Islamic Paintings, Indian Pictures, New Delhi, Central Asia, National Museum, Indian Art, Traditional Art

This Indian picture, housed in the National Museum of New Delhi,...

This Indian picture, housed in the National Museum of New Delhi, depicts a heroine who succumbs completely to her lover. Inscribed on the back of the picture are the words: 'Malwa, circa 1660'.

Ruler at a Religious Ceremony. Opaque pigment on paper, India, Malwar, Late C. India Painting, Lotus Pond, Religious Ceremony, Indian Artist, Central Asia, Red Background, 17th Century, Ruler, Art And Architecture

AN ILLUSTRATION TO AN UNIDENTIFIED SERIES POSSIBLY A RASIKAPRIYA SERIES (LOVER'S BREVIARY) Ruler at a Religious Ceremony

REGISTERED ANTIQUITY - NON-EXPORTABLE ITEM (Please refer to the Terms and Conditions of Sale at the back of the catalogue) India, Malwar, Late 17th Century Opaque pigment on paper Image 10 1/4 x 7 3/4 in. (26 x 19.6 cm.) Folio 11 3/4 x 9 1/4 in. (29.8 x 23.3 cm.) The identification of this painting and the following lot is limited due to the lack of inscription that normally occupies the top yellow register. Following the standard convention, the primary subject of the story is…

Yashoda Ties Krishna to a Mortar. Page from a dated Rasikapriya Series, Opaque watercolor and gold on paper, Malwa, India, Brooklyn Museum India Painting, Indian Art, Krishna, Brooklyn, Ties, Objects, Miniature Paintings, Miniatures, Museum

Yashoda Ties Krishna to a Mortar. Page from a dated Rasikapriya Series, Opaque watercolor and gold on paper, Malwa, India, 1634, Brooklyn Museum

Râmâyana manuscript page: Rama kills the deer (folio no. 31). Ink, opaque watercolor, and gold on paper, Central India, Malwa School, 1635-1650, ... The forest is represented by two trees and a few sprays of foliage; the deer is a mundane gray, not magical gold; and Sita waits anxiously in a white marble pavilion, rather than a thatched hut. ... Asia Continent, India Painting, Religious Text, Two Trees, Online Images, Sprays, Indian Art, White Marble, 17th Century

Râmâyana manuscript page: Rama kills the deer (folio no. 31)

Description Accession Number 1964/2.111 Title Râmâyana manuscript page: Rama kills the deer (folio no. 31) Artist Artist Unknown, India, Central India, Malwa School Artist Nationality Indian Medium and Support ink, opaque watercolor, and gold on paper Object Creation Date 1635-1650 Object Creation Place Asia (continent) India (nation) Madhya Pradesh (state) Malwa Credit Line Gift of Mr. George P. Bickford for the James Marshall Plumer Memorial Collection Style/Group/Movement Malwa School…