Most of the buildings you can see in The Witcher 3:Wild Hunt - Blood&Wine were designed by me. Here are just some of them. You can follow me also here: https://www.facebook.com/andrzejdybowskiart https://www.instagram.com/dybowskiart

Some interiors I designed for The Witcher 3:Blood&Wine. You can follow me also here: https://www.facebook.com/andrzejdybowskiart https://www.instagram.com/dybowskiart https://twitter.com/dybowskiart

Concept arts I made for the harbour of The Witcher 3:Wild Hunt - Blood & Wine Harbour DLC You can follow me also here: https://www.facebook.com/andrzejdybowskiart https://www.instagram.com/dybowskiart https://twitter.com/dybowskiart

Some landscapes I concepted for The Witcher. I'm sure you know these places. You can follow me also here: https://www.facebook.com/andrzejdybowskiart https://www.instagram.com/dybowskiart https://twitter.com/dybowskiart

Blood and Wine is the second expansion pack for The Witcher 3: Wild Hunt. I joined the project after completing work on Hearts of Stone. My work was largely focused on the Caroberta region of Touissant. I also had the opportunity to work on the new

The castle of Dun Tynne was probably the largest location I've worked on during the Blood and Wine development; the largest, but also my favourite. The second biggest castle in Toussaint (after Beauclair), plus a fairly rich one as well - that

Screenshots of my work for Hearts of Stone, the first expansion pack for The Witcher 3: Wild Hunt. I joined the project at the beginning of the development process to help shape the new gameplay area added to the Velen landmass. My work was largely

This was a difficult one to make; the struggle, surprisingly, stemmed from the core idea for the location: we have your "average" medieval tournament, located in the plains below the city, with three fairly distinctive arenas to spruce up the

The Mère-Lachaiselongue Cemetery was the first large location I've worked on during the development of Blood and Wine. I took over a very early exterior blockout and added the entire underground crypt. Initially it was supposed to be very compact, but

An overview of some of the interior work I've done on the Blood and Wine expansion. I need to start with shoutouts to the two teams that made our interiors look just so much better: the awesome lighting guys and the tireless asset team. I try to

Some screenshots of my work on The Witcher 3: Wild Hunt. I joined the team half way through the development process to help create the games expansive open world. My responsibilities were spread out over a number of different areas of the game: - Location

Concept of a one of many wineyards I made for The Witcher. www.andrzejdybowski.com www.facebook.com/andrzejdybowskiart

The screenshots I've gathered here portray my smaller locations - designed for side and minor quests - along with some general, "open-world" work. During the course of making Blood and Wine, each of us owned several quest locations and

A showcase of the work I did for Witcher III: Killing Monsters Trailer and The Trail Opening Cinematics I've been responsible for textures Geralt's armour. Only textures by me, final renders is work of whole team

One of older works (2011). Unfortunately i haven't my own renders so i show you frames from animation. I was responsibility for character textures for Archer, Letho, King, King's Bodyguards and some on background characters. Hope you like it.

A showcase of the work I did for Witcher III: The Trail Cinematic I've been responsible for textures and showcase render of this armour (rendererd in Maya/Arnold) Only armour textures by me, model and final animated renders is work of whole team