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daily practice - part two Great article if you like working in considered and limited blocks Mark making ink Helen TerryGreat article if you like working in considered and limited blocks Mark making ink Helen Terry Abstract Landscape, Abstract Art, Abstract Trees, Watercolor Landscape, Abstract Paintings, Art Blanc, Creation Art, Mark Making, Art Techniques

Helen Terry - A daily practice - part two

So immediately after I finished the first forty days of mark-making , I started a second. And since by the end of the first I was working almost exclusively with conté crayon, I decided to switch to ink - my favourite wet medium. I chose another home-made sketchbook - a

Helen Terry - A daily practice - part two Artist Journal, Artist Sketchbook, Collage Drawing, Drawing Tips, Sketchbook Inspiration, Journal Inspiration, Journal Ideas, Sumi Ink, Medical Illustration

Helen Terry - A daily practice - part two

So immediately after I finished the first forty days of mark-making , I started a second. And since by the end of the first I was working almost exclusively with conté crayon, I decided to switch to ink - my favourite wet medium. I chose another home-made sketchbook - a

Mark making ink week one. Driftwood Wall Art, Haida Art, Artist Sketchbook, Sketchbook Inspiration, Sketchbook Ideas, Japanese Patterns, Visual Diary, Aboriginal Art, Mark Making

Helen Terry - A daily practice - part two

So immediately after I finished the first forty days of mark-making , I started a second. And since by the end of the first I was working almost exclusively with conté crayon, I decided to switch to ink - my favourite wet medium. I chose another home-made sketchbook - a

Helen Terry - A daily practice - part two Sketchbook Inspiration, Art Sketchbook, Journal Inspiration, Journal Ideas, Driftwood Wall Art, Sumi Ink, Fountain Pen Ink, Felt Patterns, Visual Diary

Helen Terry - A daily practice - part two

So immediately after I finished the first forty days of mark-making , I started a second. And since by the end of the first I was working almost exclusively with conté crayon, I decided to switch to ink - my favourite wet medium. I chose another home-made sketchbook - a

Amazing Pen and Ink Cross Hatching Masters Edition Ideas. Incredible Pen and Ink Cross Hatching Masters Edition Ideas. Landscape Drawings, Watercolor Landscape, Abstract Landscape, Landscape Paintings, Watercolor Trees, Watercolor Portraits, Abstract Paintings, Watercolor Painting, Ink Drawings

Helen Terry - A daily practice - part two

So immediately after I finished the first forty days of mark-making , I started a second. And since by the end of the first I was working almost exclusively with conté crayon, I decided to switch to ink - my favourite wet medium. I chose another home-made sketchbook - a

Helen Terry - A daily practice - part two Textiles Sketchbook, Art Sketchbook, Driftwood Wall Art, Drawing Course, Watercolor Journal, Sketchbook Inspiration, Mark Making, Textile Artists, Drawing Techniques

Helen Terry - A daily practice - part two

So immediately after I finished the first forty days of mark-making , I started a second. And since by the end of the first I was working almost exclusively with conté crayon, I decided to switch to ink - my favourite wet medium. I chose another home-made sketchbook - a

Helen Terry - A daily practice - part two Textiles Sketchbook, Artist Sketchbook, Collage Drawing, Drawing Tips, Sketchbook Inspiration, Sketchbook Ideas, Journal Inspiration, Driftwood Wall Art, Handmade Books

Helen Terry - A daily practice - part two

So immediately after I finished the first forty days of mark-making , I started a second. And since by the end of the first I was working almost exclusively with conté crayon, I decided to switch to ink - my favourite wet medium. I chose another home-made sketchbook - a

Helen Terry - A daily practice - part two Sketchbook Inspiration, Art Sketchbook, Driftwood Wall Art, Sumi Ink, Fountain Pen Ink, Mark Making, Textile Artists, Art Techniques, Art Tutorials

Helen Terry - A daily practice - part two

So immediately after I finished the first forty days of mark-making , I started a second. And since by the end of the first I was working almost exclusively with conté crayon, I decided to switch to ink - my favourite wet medium. I chose another home-made sketchbook - a

ideas line art drawings mark making for 2019 Art Textile, Textile Artists, Collage Drawing, Art Drawings, Drawing Tips, Sketchbook Inspiration, Art Sketchbook, Journal Inspiration, Creation Art

Helen Terry - A daily practice - part two

So immediately after I finished the first forty days of mark-making , I started a second. And since by the end of the first I was working almost exclusively with conté crayon, I decided to switch to ink - my favourite wet medium. I chose another home-made sketchbook - a

Helen Terry - Apparitions, shadows and monochromes Vango Art, Art Van, Mark Making, Textile Artists, Detailed Image, Art Sketchbook, Screen Printing, Monochrome, Collage Art

Helen Terry - A daily practice - part two

So immediately after I finished the first forty days of mark-making , I started a second. And since by the end of the first I was working almost exclusively with conté crayon, I decided to switch to ink - my favourite wet medium. I chose another home-made sketchbook - a

Helen Terry - A daily practice - part two Textiles Sketchbook, Art Sketchbook, Driftwood Wall Art, Sketchbook Inspiration, Mark Making, Textile Artists, Art Techniques, Artist At Work, Book Art

Helen Terry - A daily practice - part two

So immediately after I finished the first forty days of mark-making , I started a second. And since by the end of the first I was working almost exclusively with conté crayon, I decided to switch to ink - my favourite wet medium. I chose another home-made sketchbook - a

Helen Terry - Apparitions, shadows and monochromes Sumi Ink, Meet The Artist, Fountain Pen Ink, Art Sketchbook, Sketchbook Inspiration, Art Techniques, Textiles Techniques, Mark Making, Textile Artists

Helen Terry - A daily practice - part two

So immediately after I finished the first forty days of mark-making , I started a second. And since by the end of the first I was working almost exclusively with conté crayon, I decided to switch to ink - my favourite wet medium. I chose another home-made sketchbook - a

Helen Terry - Apparitions, shadows and monochromes Small Words, Art Sketchbook, Sketchbook Inspiration, How To Start Running, Mark Making, Textile Artists, Detailed Image, Collage Art, New Work

Helen Terry - A daily practice - part two

So immediately after I finished the first forty days of mark-making , I started a second. And since by the end of the first I was working almost exclusively with conté crayon, I decided to switch to ink - my favourite wet medium. I chose another home-made sketchbook - a

Helen Terry - Apparitions, shadows and monochromes Back To Work, New Work, Worst Day, Art Sketchbook, Sketchbook Inspiration, Abstract Landscape, Abstract Art, How To Start Running, Mark Making

Helen Terry - A daily practice - part two

So immediately after I finished the first forty days of mark-making , I started a second. And since by the end of the first I was working almost exclusively with conté crayon, I decided to switch to ink - my favourite wet medium. I chose another home-made sketchbook - a

Helen Terry - Apparitions, shadows and monochromes Vango Art, Worst Day, Art Sketchbook, Sketchbook Inspiration, Mark Making, Textile Artists, Detailed Image, White Paints, Shibori

Helen Terry - A daily practice - part two

So immediately after I finished the first forty days of mark-making , I started a second. And since by the end of the first I was working almost exclusively with conté crayon, I decided to switch to ink - my favourite wet medium. I chose another home-made sketchbook - a

Helen Terry - Between the lines, Transience and Blackthorn Linear Pattern, Surface Pattern, Art Sketchbook, Sketchbook Inspiration, Journal Inspiration, How To Start Running, Mark Making, Textile Artists, Detailed Image

Helen Terry - A daily practice - part two

So immediately after I finished the first forty days of mark-making , I started a second. And since by the end of the first I was working almost exclusively with conté crayon, I decided to switch to ink - my favourite wet medium. I chose another home-made sketchbook - a