Credit: (c) 2012 Jenny Saville, image courtesy Gagosian Gallery  Atonement Studies: Central Panel (Rosetta), 2005-06

Jenny Saville's work - in pictures

Credit: (c) 2012 Jenny Saville, image courtesy Gagosian Gallery Atonement Studies: Central Panel (Rosetta), 2005-06

Jenny Saville Good read: Meagher's article, "Jenny Saville and a Feminist Aesthetics of Disgust" I was drawn to the gestures and fluidity of skin. Could be interesting gestures for my IWP.

Jenny Saville: Flesh

Jenny Saville Good read: Meagher's article, "Jenny Saville and a Feminist Aesthetics of Disgust" I was drawn to the gestures and fluidity of skin. Could be interesting gestures for my IWP.

Jenny Saville & Glen Luchford - Closed Contact Having observed the operations of reconstructive & aesthetic surgery, Saville was eager to express the violence & anesthetized pain of this experience in her own work. Luchford & Saville began an artistic collaboration that captures the full range of color, tonality & topography of live flesh, in large photographic tableaux. Distortions confront & coerce the viewer into an examination of one's own body & the grotesqueries & beauties inherent…

Community Post: 30 Contemporary Painters You Should Know

Jenny Saville & Glen Luchford - Closed Contact Having observed the operations of reconstructive & aesthetic surgery, Saville was eager to express the violence & anesthetized pain of this experience in her own work. Luchford & Saville began an artistic collaboration that captures the full range of color, tonality & topography of live flesh, in large photographic tableaux. Distortions confront & coerce the viewer into an examination of one's own body & the grotesqueries & beauties inherent…

Jenny Saville. On one portrait I could use this technique to show the layers of family/identity in the layers of the materials over the time and technique.

Jenny Saville. On one portrait I could use this technique to show the layers of family/identity in the layers of the materials over the time and technique.

Jenny Saville self portrait on top of a glass table with the photographer under the table taking it upwards to create the abstract effect of the deformed body.

Jenny Saville self portrait on top of a glass table with the photographer under the table taking it upwards to create the abstract effect of the deformed body.

Jenny Saville-This drawing is also untidy as the pencil strokes are thick and smudged. the image itself is quite unappealing but the lack of colour makes it subtle. she has added detail in the face of the woman and baby and has distorted the other parts of the body. this effect makes the piece look interesting and the way it centered draws the eye to the middle of the piece.

Jenny Saville-This drawing is also untidy as the pencil strokes are thick and smudged. the image itself is quite unappealing but the lack of colour makes it subtle. she has added detail in the face of the woman and baby and has distorted the other parts of the body. this effect makes the piece look interesting and the way it centered draws the eye to the middle of the piece.

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