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Tate Modern & Tate Britain London

Collection by ︵‿ 𝘙𝘪𝘵𝘢𝘉³‿︵

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︵‿ 𝘙𝘪𝘵𝘢𝘉³‿︵
Architecture | Tate Modern
Architecture | Tate Britain
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Architecture | Tate Modern

Architecture | Tate Britain

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Artist Mary Martin Title Perspex Group on Orange (B) Date 1969 Medium Perspex and wood Dimensions Object: 607 x 609 x 233 mm Collection Tate Mary Martin ‘Perspex Group on Orange (B)’, 1969 © The estate of Mary Martin Abstract Words, Abstract Shapes, Abstract Paintings, Art Furniture, Channel Orange, Mary Martin, Orange Square, Fibre And Fabric, Wall Sculptures

Tate on Instagram: “#WorkoftheWeek: Mary Martin, Perspex Group on Orange (B) 1969, on free display at Tate Modern. This is one of a series of five works that…”

7,170 Likes, 42 Comments - Tate (@tate) on Instagram: “#WorkoftheWeek: Mary Martin, Perspex Group on Orange (B) 1969, on free display at Tate Modern.…”

"Artificial Sun" by Olafur Eliasson. This piece really involves the viewer as they are lured into this captivating, atmospheric piece. Tate Museum London, A Little Night Music, Instalation Art, Olafur Eliasson, Tate Britain, Phone Themes, London Art, Light Installation, Future City

Artificial Sun

This was an installation in the Tate Modern, London,a couple of years ago, by Olafur Eliasson . The image is several photos stitched together.

Synthetic Cubism Pablo Picasso 'Bowl of Fruit, Violin and Bottle' 1914 Pablo Picasso, Picasso And Braque, Cubist Movement, Picasso Paintings, Oil Paintings, Painting Art, Art Terms, Georges Braque, Vintage Artwork

Cubism – Art Term | Tate

Tate glossary definition for cubism: A revolutionary new approach to representing reality in art invented by artists Pablo Picasso and Georges Braque in which the artists aimed to bring different views of their subjects together in the same picture

Mark Rothko, Untitled Yellow, c. color silkscreen on premium paper. Mark Rothko, Rothko Art, Abstract Painters, Abstract Art, Tachisme, Franz Kline, Art Moderne, Art Abstrait, Mondrian

‘Untitled’, Mark Rothko, c.1950–2 | Tate

Artwork page for ‘Untitled’, Mark Rothko, c.1950–2 on display at Tate St Ives. In his mature work, Rothko abandoned specific reference to nature in order to paint images with universal associations. By the late 1940s he had developed a style in which hazy, luminous rectangles float within a vertical format. Rothko wrote that the great artistic achievements of the past were pictures of the human figure alone in a moment of utter immobility. He sought to create his own version of this solitary…

Pablo Picasso ‘Bust of a Woman’, 1944 © Succession Picasso/DACS 2015 Pablo Picasso, Art Picasso, Picasso Portraits, Picasso Paintings, Picasso Sketches, Dora Maar, Georges Braque, Creative Studio, Art Images

‘Bust of a Woman’, Pablo Picasso, 1944 | Tate

Artwork page for ‘Bust of a Woman’, Pablo Picasso, 1944 This is a portrait of the artist Dora Maar. Picasso painted it in May 1944, during the final weeks of the Nazi Occupation of Paris during World War II. Deprivation and tension were high in the city. Many people faced persecution for their religion, race, sexuality or disability. This led to imprisonment or death. Maar’s face is painted in black and white. This contrasts with the red and purple background, and the bright green of her…

Ana Mendieta ‘Untitled (Self-Portrait with Blood)’, 1973 © The estate of Ana Mendieta, courtesy Galerie Lelong, New York A Level Art, Feminist Art, Land Art, Female Art, Portrait Photography, Blood, Selfie, Artwork, Silhouette

‘Untitled (Self-Portrait with Blood)’, Ana Mendieta, 1973 | Tate

Ana Mendieta - Untitled (Self-Portrait with Blood)

dappledwithshadow: “Abstract Painting Vanessa Bell - circa 1914 Tate Modern - London Painting - gouache Height: cm in.), Width: cm in. Framed Canvas Prints, Canvas Frame, Oil On Canvas, Art Prints, Vanessa Bell, Tate Gallery, Art Walk, Art Database, Sculpture

Archive Journeys: Bloomsbury Art: Vanessa Bell, influences and experimentation

Explore the creativity, achievements and important legacy of the Bloomsbury circle with this Tate Look Closer resource

Lecture notes: De Stijl and Neo-plasticism of Mondrian Piet Mondrian, Art Concret, Concrete Art, Abstract Words, Abstract Art, Utrecht, Bauhaus, Theo Van Doesburg, Art Terms

Neo-plasticism – Art Term | Tate

Tate glossary definition for neo-plasticism: Term adopted by the Dutch pioneer of abstract art, Piet Mondrian, for his own type of abstract painting which used only horizontal and vertical lines and primary colours

English courses in the centre of London. Learn English in London at competitive prices. Tate Museum London, Tate Modern Museum, Tate London, Tate Modern London, London 2016, London Summer, English Day, London Poster, Museum Poster

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ABC School English offers courses in the centre of London. Learn English in London at competitive prices. Small, friendly school in a great location.

"The Incomplete Truth" by Damien Hirst, 2006 at White Cube gallery at Art Basel Miami Beach. Michael Art, George Michael, Damien Hirst Paintings, Damian Ortega, Or Noir, Art Basel Miami, Installation Art, Lovers Art, Cool Art

Damien Hirst - "The Incomplete Truth" (2006) - “I want to make art, create objects that will have meaning for ever."

Tate Britain unveils The Squash, an immersive installation combining performance and sculpture by 2016 Turner Prize nominee Anthea Hamilton. The artist has designed seven costumes in collaboration with LOEWE to be worn. Hamilton Costume, Puppet Costume, London Souvenirs, Turner Prize, Symbolic Art, Mask Painting, Tate Britain, Culture Pop, Fashion Mask

Loewe x Anthea Hamilton On Tate Britain Commission 2018: The Squash - Fucking Young!

Tate Britain unveils The Squash, an immersive installation combining performance and sculpture by 2016 Turner Prize nominee Anthea Hamilton. The artist has designed seven costumes in collaboration with LOEWE to be worn... »

Jacob and the Angel, – Sir Jacob Epstein. Carved from a single monumental block of Alabaster, in The Liverpool Tate gallery. Modern Sculpture, Sculpture Art, Art Nouveau, Safari, Art Terms, Tate Britain, Tate Gallery, Land Art, Photo Art

‘Jacob and the Angel’, Sir Jacob Epstein, 1940–1 | Tate

Artwork page for ‘Jacob and the Angel’, Sir Jacob Epstein, 1940–1 on display at Tate Britain. Here Epstein depicts a passage from the Book of Genesis in the Bible. Jacob wrestles through the night with an unknown attacker, who eventually overpowers him. In the morning, he realises he has been fighting God and his own conscience. Epstein shows Jacob exhausted, being held up by an angel. The sculpture divided opinion when it was first exhibited. The Daily Mail newspaper asked: ‘Is this a…

Alexander Archipenko 'Woman combing her hair', bronze Abstract Sculpture, Wood Sculpture, Contemporary Sculpture, Contemporary Art, Georges Braque, Stone Carving, Art Object, Art Plastique, Oeuvre D'art

Alexander Archipenko 1887–1964 | Tate

Artist page for Alexander Archipenko (1887–1964)

amare-habeo: Jean Fautrier (French, Large Tragic Head, 1942 Bronze on marble base, 385 x 210 x 215 mm via Tate Portrait Sculpture, Sculpture Head, Sculptures Céramiques, Modern Sculpture, Lion Sculpture, Bronze Sculpture, Tachisme, Jackson Pollock, Jean Fautrier

‘Large Tragic Head’, Jean Fautrier, 1942 | Tate

Artwork page for ‘Large Tragic Head’, Jean Fautrier, 1942 During the Second World War, Fautrier was associated with the French Resistance, and briefly imprisoned by the Gestapo. Large Tragic Head is one of over thirty paintings and sculptures that he made during the Occupation, and suggests the brutality of Nazi atrocities. Here the artist deliberately disfigured the face of the sculpture, clawing deep furrows into the wet clay. The expressive gesture is implicitly associated with sudden…

Sir Jacob Epstein ‘The Visitation’, 1926 © The estate of Sir Jacob Epstein Modern Sculpture, Bronze Sculpture, Tate Britain, Old Art, Art Photography, Sculptures, Humility, Virgin Mary, Artwork

‘The Visitation’, Sir Jacob Epstein, 1926 | Tate

Artwork page for ‘The Visitation’, Sir Jacob Epstein, 1926 on display at Tate Britain. This life-size figure was intended to be one of a pair, never completed, called 'The Visitation'. This was an event recorded in the Bible, where the Virgin Mary visits her cousin Elizabeth to share with her the news that she is to give birth to Jesus. Epstein described this figure as expressing ' a humility so profound as to shame the beholder who comes to my sculpture expecting rhetoric or splendour of…