Many high school Painting / Fine Art students worry that their sketchbooks must be wild, gestural explorations, with layers of media exploding from each page. This sketchbook is a reminder that this is not always the case. Here, a sketchbook layout has been approached with the sophisticated eye of a graphic designer; each page taking on the aesthetic of a contemporary magazine.

Many high school Painting / Fine Art students worry that their sketchbooks must be wild, gestural explorations, with layers of media exploding from each page. This sketchbook is a reminder that this is not always the case. Here, a sketchbook layout has been approached with the sophisticated eye of a graphic designer; each page taking on the aesthetic of a contemporary magazine.

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This AS Level Art sketchbook presentation again reminds us of what the essence of a quality sketchbook should be: quality drawings (image sources clearly shown), surrounded by unobtrusive, comprehensive annotation. A simple yet striking black and white sketchbook page.

This AS Level Art sketchbook presentation again reminds us of what the essence of a quality sketchbook should be: quality drawings (image sources clearly shown), surrounded by unobtrusive, comprehensive annotation. A simple yet striking black and white sketchbook page.

Some students begin a project with enthusiasm, but are unable to maintain this for the duration of their project. Abby’s A2 Coursework submission remains detailed and comprehensive throughout. Keeping to a consistent presentation style, Abby produces page after page of beautiful visual and written investigation.

Some students begin a project with enthusiasm, but are unable to maintain this for the duration of their project. Abby’s A2 Coursework submission remains detailed and comprehensive throughout. Keeping to a consistent presentation style, Abby produces page after page of beautiful visual and written investigation.

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