I'm not realistically suggesting we do something like this, but I love the way they have utilised the depth of the window space when hanging things. We have assumed that we want to display large images of faces, however we could consider smaller images, displayed with more fluidity.
Olafur Eliasson, Multiple shadow house, 2010. When a body enters the space and begins to interact with the light installation, beautiful and subtle overlaid visions of their shadow fan across the screens – as they move around forward and backward the image is thus altered and can be manipulated. In this way the project is a creative collaboration between the artist, viewer, space and technology. Essentially the artwork is redundant without the presence of the figure.