Artwork page for ‘The Vale of the White Horse’, Eric Ravilious, c.1939 Ravilious saw himself as part of a long tradition of English landscape painters, and his use of flat watercolour recalls the work of John Sell Cotman in the early nineteenth century. However, his pictures often subvert tradition as much as echo it. His depiction of the countryside in the rain is familiar, but the low viewpoint makes the image disconcerting. This emphasises the mass of the hill and provides an unusual view…
