Hurvin Anderson, Thomas Dane Gallery, St. James’ SW1

Hurvin Anderson, Thomas Dane Gallery, St. James’ SW1

Watercolor Landscape, Abstract Landscape, Painting Abstract, Landscape Artwork, Watercolour, Tree Paintings, Contemporary Paintings, Henry Darger, Peter Doig

'Nilla' from the series 'Naming the Money' by Lubaina Himid (2004). From 'Uncomfortable Truths' at the V: 20 February - 17 June 2007. Courtesy V, Londo

'Nilla' from the series 'Naming the Money' by Lubaina Himid From 'Uncomfortable Truths' at the V: 20 February - 17 June Courtesy V, Londo

Five, by Lubaina Himid, 1991, acrylic on canvas. Two females sitting at table.

Lubaina Himid, 'Five', The artist describes, "Two women sit at dinner forming strategy;

Lubaina Himid: Invisible Strategies - Modern Art Oxford

Lubaina Himid: Le Rodeur: (The Lock), Courtesy the artist & Hollybush Gardens

Lubaina Himid, Naming the Money, 2004. Courtesy the artist and Hollybush Gardens, photo Andy Keate

Lubaina Himid, Naming the Money, Courtesy the artist and Hollybush Gardens, photo Andy Keate

Hurvin Anderson

Hurvin Anderson "Naila(Movement)", 2010 acrylic on paper laid down on board × cm

Lubaina Himid: Invisible Strategies - Modern Art Oxford

Congratulations to Lubaina Himid who has won the Turner Prize for Art 2017 : Invisible Strategies - Modern Art Oxford

Lubaina Himid, Paper Bag, 1998, Hollybush Gardens

Hollybush Gardens: Lubaina Himid at Art Cologne 16 – 19 April, Johanna Billing at Glasmoog. Paper Bag by Lubaina Himid, pastel on paper, 78 x 76 cm

Painting of Andrea Büttner's Tent, a child-like arched images of a navy tent with a red door.

Artist's talk: Andrea Büttner – Talk at Tate Britain

Image result for Rosalind Nashashibi

Image result for Rosalind Nashashibi

Image result for Rosalind Nashashibi

Image result for Rosalind Nashashibi

Lubaina Himid, Spike Island

Lubaina Himid Naming the Money Installation view, Navigation Charts Spike Island Courtesy the artist, Hollybush Gardens and National Museums Liverpool: International Slavery Museum. Photograph by Stuart Whipps

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