Angie Lewin. For me 90% of working on art is the feel of a pen, brush or pencil in my hand. It is the idea that my brain is connected to my hand and it is transmitting my feelings to the paper. It is not an original thought, but it is such a wonderful way to express what happens to me.

Angie Lewin. For me 90% of working on art is the feel of a pen, brush or pencil in my hand. It is the idea that my brain is connected to my hand and it is transmitting my feelings to the paper. It is not an original thought, but it is such a wonderful way to express what happens to me.

More Angie Lewin - fascinating fact . . . she uses a wooden spoon to burnish her designs which she prints onto Japanese paper (this absorbs the ink well)

More Angie Lewin - fascinating fact . . . she uses a wooden spoon to burnish her designs which she prints onto Japanese paper (this absorbs the ink well)

Angie Lewin's "Alphabet & Feathers" limited edition wood engraving for the V&A http://www.angielewin.co.uk/collections/sold-out-editions/products/alphabet-and-feathers

Angie Lewin's "Alphabet & Feathers" limited edition wood engraving for the V&A http://www.angielewin.co.uk/collections/sold-out-editions/products/alphabet-and-feathers

Angie Lewin - Island with Teasels. Inspired by both the clifftops and saltmarshes of the North Norfolk coast and the Scottish Highlands, I depict these contrasting environments and their native flora in wood engraving, linocut, silkscreen, lithograph and collage.

Angie Lewin - Island with Teasels. Inspired by both the clifftops and saltmarshes of the North Norfolk coast and the Scottish Highlands, I depict these contrasting environments and their native flora in wood engraving, linocut, silkscreen, lithograph and collage.

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