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MilwaukeeAvenueSeriesPanel3of3GraphiteonPaper25X92011.jpg

MilwaukeeAvenueSeriesPanel3of3GraphiteonPaper25X92011.jpg

Кликните для закрытия картинки, нажмите и удерживайте для перемещения

Кликните для закрытия картинки, нажмите и удерживайте для перемещения

thefallofkain:  John Ruskin, The South Side of St Mark’s from the Loggia of the Ducal Palace, Venice circa 1851 Pencil and watercolour heightened with white, on 3 pieces of paper, 95.9 x 45.4 cm

thefallofkain: John Ruskin, The South Side of St Mark’s from the Loggia of the Ducal Palace, Venice circa 1851 Pencil and watercolour heightened with white, on 3 pieces of paper, 95.9 x 45.4 cm

Matthew Woodward’s large scale drawings are truly examples of “beautiful decay” with violently drawn, torn, erased, and collaged decorative motifs that one would find on old industrial buildings of yesteryear. These floral and elaborate patterns and flourishes are taken through an intense process of aging where Woodward attacks the surface like an artistic jackhammer mining the paper for undiscovered imagery.

Matthew Woodward’s large scale drawings are truly examples of “beautiful decay” with violently drawn, torn, erased, and collaged decorative motifs that one would find on old industrial buildings of yesteryear. These floral and elaborate patterns and flourishes are taken through an intense process of aging where Woodward attacks the surface like an artistic jackhammer mining the paper for undiscovered imagery.

Part of the Façade of the Destroyed Church of San Michele in Lucca, as it Appeared in 1845 (1845) by John Ruskin

Part of the Façade of the Destroyed Church of San Michele in Lucca, as it Appeared in 1845 (1845) by John Ruskin

les-extraordinaires-sculptures-de-papier-decoupees-a-la-main-de-nahoko-kojima32

Les extraordinaires sculptures de papier découpées à la main de Nahoko Kojima

les-extraordinaires-sculptures-de-papier-decoupees-a-la-main-de-nahoko-kojima32

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