Jeanne toussaint

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Drawing by E. Lindner of Cartier jewels, 1938, described as Indian pendant of pearl and emerald tassels made into a clip by Jeanne Toussaint; ruby & emerald necklace by Coco Chanel; and Hindu chessman of gold, enamel and diamonds

Drawing by E. Lindner of Cartier jewels, 1938, described as Indian pendant of pearl and emerald tassels made into a clip by Jeanne Toussaint; ruby & emerald necklace by Coco Chanel; and Hindu chessman of gold, enamel and diamonds

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"How the Cartier Panthère Became a Jewelry Icon" - "Emeralds, onyx, diamonds, a brooch!” is what Jeanne Toussaint is said to have screamed after spotting a panther in the wild while on safari with Louis Cartier. By then she was already director of Cartier Jewelry, and soon after the Big Cats started prowling the house vitrines.  The Panthère can first be spotted in a Cartier wristwatch from 1914, when its signature pattern appeared in diamond and ebony.

"How the Cartier Panthère Became a Jewelry Icon" - "Emeralds, onyx, diamonds, a brooch!” is what Jeanne Toussaint is said to have screamed after spotting a panther in the wild while on safari with Louis Cartier. By then she was already director of Cartier Jewelry, and soon after the Big Cats started prowling the house vitrines. The Panthère can first be spotted in a Cartier wristwatch from 1914, when its signature pattern appeared in diamond and ebony.

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Inspiration from inspiration. A Horst photo from the V&A's massive exhibition. "...It was the lovely effect of the precious stones worn by Indian princesses close against their skin that gave (Jeweller) Cartier the inspiration." "Something new in jewellery- diamonds set separately one by one, in tiny platinum mountings that clip on a few hairs of your head and stay firmly in place." Modelled by Mary Stutz for British Vogue, 17 Oct 1934.

Inspiration from inspiration. A Horst photo from the V&A's massive exhibition. "...It was the lovely effect of the precious stones worn by Indian princesses close against their skin that gave (Jeweller) Cartier the inspiration." "Something new in jewellery- diamonds set separately one by one, in tiny platinum mountings that clip on a few hairs of your head and stay firmly in place." Modelled by Mary Stutz for British Vogue, 17 Oct 1934.

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