Floral Pendant with Upswept Petals. Floral Pendant with Upswept Petals (first half 17th century, Islamic) Fabricated from gold; worked in kundan technique and set with diamonds, rubies and emeralds; with pendant emerald bead.

Floral Pendant with Upswept Petals. Floral Pendant with Upswept Petals (first half century, Islamic) Fabricated from gold; worked in kundan technique and set with diamonds, rubies and emeralds; with pendant emerald bead.

Floral Pendant with Upswept Petals

Floral Pendant with Upswept Petals. Floral Pendant with Upswept Petals (first half century, Islamic) Fabricated from gold; worked in kundan technique and set with diamonds, rubies and emeralds; with pendant emerald bead.

Northwest India | Earrings from Rajasthan | ca. 1st half of the 20th century.

Earrings Rajasthan, northwest India First half 1900 Gold and rubies Ethnic Jewels 0873

Dancing Girl. Late 17th century. India, Deccan, Islamic. Ink, opaque watercolor, and gold on paper.

Dancing Girl Object Name: Single work Date: Late century Geography: India, Deccan

Two Sarpeches (Turban Ornaments) for a Boy. late 18th century. India, Deccan, Hyderabad. Islamic. Diamonds, gold setting.

Two Sarpeches (Turban Ornaments) for a Boy Object Name: Turban ornaments Date: late century Geography: India, Deccan, Hyderabad Culture: Islamic Medium: Diamonds, gold setting

Floral Pendant with Drooping Petals. first half 17th century. Islamic. Floral Pendant with Upswept Petals (first half 17th century, Islamic) Fabricated from gold; worked in kundan technique and set with diamonds, rubies with pendant pearl.

Floral Pendant with Drooping Petals. Floral Pendant with Upswept Petals (first half century, Islamic) Fabricated from gold; worked in kundan technique and set with diamonds, rubies with pendant pearl.

Nat Malhar: A Woman Splashing Water on Her Lover from the River. late 16th century. India, Deccan, Ahmadnagar. Hindu. Ink, Opaque watercolor, Gold on paper.

Nat Malhar: A Woman Splashing Water on Her Lover from the River Object Name: Illustrated manuscript, folio Date: late century Geography: India, Deccan, Probably Ahmadnagar Culture: Non-Islamic,.

Stout Courtier. "Bodleian painter," ca. 1620. India, Deccan, Bijapur. Islamic. Ink, opaque watercolor, and gold on paper.

Portrait of a Courtier. Attributed to the "Bodleian painter" Date: ca. 1620 Geography: India, Deccan, Bijapur Culture: Islamic Medium: Ink, opaque watercolor, and gold on paper

"Agra" Diamond. 16th century. India, Golconda. Islamic. Cut-cornered, rectangular mixed-cut, fancy intense pink diamond. 28.15 carats.

“Agra” Diamond Object Name: Diamond Date: century Geography: India, Golconda Culture: Islamic Medium: Cut-cornered, rectangular mixed-cut, fancy intense pink diamond Dimensions: carats This.

Ascetic Visited by a Yogini. Early 17th century. India, Deccan, Bijapur. Islamic. Ink, Opaque watercolor, gold on paper.

Ascetic Visited by a Yogini Artist: Attributed to the Dublin painter Object Name: Single Work Date: Early century Geography: India, Deccan, Bijapur Culture: Islamic Medium: Ink, opaque watercolor, and gold on paper Dimensions: Image: 11 × 8 in.

Yogini in a Deccan Landscape. early 17th century. Islamic. Ink, Opaque watercolor and gold on paper.

The world’s first exhibition devoted to yoga-inspired art is at the Smithsonian. Turns out fierce, flying yoginis didn’t wear stretch pants.

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