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коричневой патиной бронзы, позолоченными с их Crown Towers поддерживает фреймы. Стенд база цепких фигур снова надеть немного vortretende опорной плите. Стены пластина тройной клетчатый с большим отрывом в каррарского мрамора, он допустил grüngesprenkelte мраморную плиту. В приложениях позолоченной бронзы рельефа Zargenvorderseite: В центре Maskeron молодое лицо охотничьего богини Дианы с Луны диадема, охваченного змея, пожирающего собственный хвост, как символ вечности. Сбоку два прыжки,

коричневой патиной бронзы, позолоченными с их Crown Towers поддерживает фреймы. Стенд база цепких фигур снова надеть немного vortretende опорной плите. Стены пластина тройной клетчатый с большим отрывом в каррарского мрамора, он допустил grüngesprenkelte мраморную плиту. В приложениях позолоченной бронзы рельефа Zargenvorderseite: В центре Maskeron молодое лицо охотничьего богини Дианы с Луны диадема, охваченного змея, пожирающего собственный хвост, как символ вечности. Сбоку два прыжки,

Italian brèche violette veneered marble topped carved giltwood and polychrome laquered console table, Roman, mid 18th century with a serpentine veneered marble top within a gilt-metal border above a frieze centred with a female mask flanked by pierced scrolling foliage, on cabriole legs surmounted by female mask heads and carved with entwined foliage joined by a shaped stretcher with a winged bacchic child satyr.

Italian brèche violette veneered marble topped carved giltwood and polychrome laquered console table, Roman, mid 18th century with a serpentine veneered marble top within a gilt-metal border above a frieze centred with a female mask flanked by pierced scrolling foliage, on cabriole legs surmounted by female mask heads and carved with entwined foliage joined by a shaped stretcher with a winged bacchic child satyr.

A pair of Italian giltwood guéridons, in the manner of Andrea Brustolon, Venetian, circa 1735, each with a shaped top with a lambrequin frieze, on a sea-monster support with two cherubs on a scallopshell base and shaped plinth 87cm. high, 57cm. wide, 36cm. deep; 2ft 10¼in., 1ft 10½in., 1ft 1¼in.

A pair of Italian giltwood guéridons, in the manner of Andrea Brustolon, Venetian, circa 1735, each with a shaped top with a lambrequin frieze, on a sea-monster support with two cherubs on a scallopshell base and shaped plinth 87cm. high, 57cm. wide, 36cm. deep; 2ft 10¼in., 1ft 10½in., 1ft 1¼in.

'BAHUT MARINE': A HIGHLY IMPORTANT FRENCH ORMOLU-MOUNTED KINGWOOD, SATINE, MAHOGANY AND MARQUETRY CABINET<br />BY FRANÇOIS LINKE, INDEX NUMBER 560, THE MOUNTS DESIGNED BY LÉON MESSAGÉ, PARIS, 1899-1904<br />Of <i>bombé</i>

'BAHUT MARINE': A HIGHLY IMPORTANT FRENCH ORMOLU-MOUNTED KINGWOOD, SATINE, MAHOGANY AND MARQUETRY CABINET<br />BY FRANÇOIS LINKE, INDEX NUMBER 560, THE MOUNTS DESIGNED BY LÉON MESSAGÉ, PARIS, 1899-1904<br />Of <i>bombé</i>

Columbian Exposition carved walnut Fantasy rocker the back having a crest with carved face and feather headdress over a horizontal splat with carved griffins centering a carved oval plaque of a sailing ship and reading, "World's Columbian Exhibition 1492. Chicago. 1892.

Columbian Exposition carved walnut Fantasy rocker the back having a crest with carved face and feather headdress over a horizontal splat with carved griffins centering a carved oval plaque of a sailing ship and reading, "World's Columbian Exhibition 1492. Chicago. 1892.

Late 19th Century Walnut Draw-Leaf Table. | From a unique collection of antique and modern center tables at https://www.1stdibs.com/furniture/tables/center-tables/

Late 19th Century Walnut Draw-Leaf Table. | From a unique collection of antique and modern center tables at https://www.1stdibs.com/furniture/tables/center-tables/

Gorgeous Renaissance Style Dining Table | From a unique collection of antique and modern dining room tables at https://www.1stdibs.com/furniture/tables/dining-room-tables/

Gorgeous Renaissance Style Dining Table | From a unique collection of antique and modern dining room tables at https://www.1stdibs.com/furniture/tables/dining-room-tables/

AN ITALIAN KINGWOOD, MARBLE AND PATINATED-BRONZE FIGURAL CONSOLE TABLE -   THE BASE CAST FROM A MODEL ATTRIBUTED TO LUDOVICO POGLIAGHI (1857-1950), MILAN, LATE 19TH/EARLY 20TH CENTURY -   The serpentine inset Breccia di Sciro marble top within an ormolu and kingwood band, above a support figure with a shell standing on a scrolling foliate base, above a shaped foot on bun feet  31 in. (79 cm.) high; 47 ¼ in.(120 cm.) wide; 24 ¾ in. (63 cm.) deep

AN ITALIAN KINGWOOD, MARBLE AND PATINATED-BRONZE FIGURAL CONSOLE TABLE - THE BASE CAST FROM A MODEL ATTRIBUTED TO LUDOVICO POGLIAGHI (1857-1950), MILAN, LATE 19TH/EARLY 20TH CENTURY - The serpentine inset Breccia di Sciro marble top within an ormolu and kingwood band, above a support figure with a shell standing on a scrolling foliate base, above a shaped foot on bun feet 31 in. (79 cm.) high; 47 ¼ in.(120 cm.) wide; 24 ¾ in. (63 cm.) deep

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