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Grundlage des Glaubens. Ludovico Mazzolinos „Beschneidung Christi“ von 1526, Kunsthistorisches Museum Wien. Foto: picture-alliance / akg-images

Grundlage des Glaubens. Ludovico Mazzolinos „Beschneidung Christi“ von 1526, Kunsthistorisches Museum Wien. Foto: picture-alliance / akg-images

Designed by Pieter Coecke van Aelst (Netherlandish, 1502–1550). The Story of Joshua: Gibeonites Trick Joshua tapestry (detail), designed ca. 1537, woven ca. 1544. Woven under the direction of Jan Dermoyen (Flemish, active 1539–1544). Kunsthistorisches Museum Wien, Kunstkammer. | This work is featured in "Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry," on view October 8, 2014–January 11, 2015. #Coecke #tapestrytuesday #granddesign

Designed by Pieter Coecke van Aelst (Netherlandish, 1502–1550). The Story of Joshua: Gibeonites Trick Joshua tapestry (detail), designed ca. 1537, woven ca. 1544. Woven under the direction of Jan Dermoyen (Flemish, active 1539–1544). Kunsthistorisches Museum Wien, Kunstkammer. | This work is featured in "Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry," on view October 8, 2014–January 11, 2015. #Coecke #tapestrytuesday #granddesign

Quentin Massys (also Matsys or Metsys) (Netherlandish, 1465/66–1530), 1526, The Adoration of the Magi, Oil on wood.

Quentin Massys (also Matsys or Metsys) (Netherlandish, 1465/66–1530), 1526, The Adoration of the Magi, Oil on wood.

Francesco di Giorgio Martini (Italian, Siena 1439–1501 Siena). Goddess of Chaste Love, 1468–75. The Metropolitan Museum of Art, New York. Marquand Fund, 1920 (20.182) | This is a fragment from a cassone panel representing the Triumph of Chastity, here meaning fidelity in marriage, a common subject for nuptial chests. She is in her triumphant cart accompanied by virtuous women.

Francesco di Giorgio Martini (Italian, Siena 1439–1501 Siena). Goddess of Chaste Love, 1468–75. The Metropolitan Museum of Art, New York. Marquand Fund, 1920 (20.182) | This is a fragment from a cassone panel representing the Triumph of Chastity, here meaning fidelity in marriage, a common subject for nuptial chests. She is in her triumphant cart accompanied by virtuous women.

Sir Henry Raeburn, (British, 1756–1823). The Drummond Children, ca.1808–9. The Metropolitan Museum of Art, New York. Bequest of Mary Stillman Harkness, 1950 (50.145.31) #kids

Sir Henry Raeburn, (British, 1756–1823). The Drummond Children, ca.1808–9. The Metropolitan Museum of Art, New York. Bequest of Mary Stillman Harkness, 1950 (50.145.31) #kids

Juan de Flandes (Netherlandish, active by 1496–died 1519).The Marriage Feast at Cana, ca. 1500–1504.

Juan de Flandes (Netherlandish, active by 1496–died 1519).The Marriage Feast at Cana, ca. 1500–1504.

Archangel Gabriel; The Virgin Annunciate, Gerard David (Netherlandish, Oudewater ca. 1455–1523 Bruges) Date: ca. 1510.

Archangel Gabriel; The Virgin Annunciate, Gerard David (Netherlandish, Oudewater ca. 1455–1523 Bruges) Date: ca. 1510.

Portrait of a Woman, ca. 1490–1500  Lorenzo di Credi (Italian, Florentine, ca. 1456–1536)  Oil on panel

Portrait of a Woman, ca. 1490–1500 Lorenzo di Credi (Italian, Florentine, ca. 1456–1536) Oil on panel

The Birth of the Virgin, 1467  Fra Carnevale (Bartolomeo di Giovanni Corradini) (Italian, Marchigian, active by 1445, died 1484)  Tempera and oil on wood

The Birth of the Virgin, 1467 Fra Carnevale (Bartolomeo di Giovanni Corradini) (Italian, Marchigian, active by 1445, died 1484) Tempera and oil on wood

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