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Od zlotu minęło już trochę czasu, ale dopiero dziś mam wreszcie czas, żeby pokazać wam, w co właściwie byłam ubrana.   Od razu zaznaczę, że ...

Od zlotu minęło już trochę czasu, ale dopiero dziś mam wreszcie czas, żeby pokazać wam, w co właściwie byłam ubrana. Od razu zaznaczę, że ...

Creeeo que esto será de 1815-1820 bc no tiene mangas anchas pero ya es más corto, vestido de fiesta

Creeeo que esto será de 1815-1820 bc no tiene mangas anchas pero ya es más corto, vestido de fiesta

Dress, 1805-1810, At the beginning of the nineteenth century, whitework became the favored embellishment for fashionable Grecian-style gowns, the latest fashion, with low necks and high waists. The neo-classical design at the skirt's center front echoes the delicate swags on embroidered pictures, while the sheer gauze fabric (which required a solid color underdress to avoid indecent exposure) recalls the floating train on the Egyptian princess's dress in Ruth Green Barber's Moses picture.

Dress, 1805-1810, At the beginning of the nineteenth century, whitework became the favored embellishment for fashionable Grecian-style gowns, the latest fashion, with low necks and high waists. The neo-classical design at the skirt's center front echoes the delicate swags on embroidered pictures, while the sheer gauze fabric (which required a solid color underdress to avoid indecent exposure) recalls the floating train on the Egyptian princess's dress in Ruth Green Barber's Moses picture.

This pelisse was made for a trousseau in 1823. Kudos to whoever it was who combined the photos of this beauty into one pin.

This pelisse was made for a trousseau in 1823. Kudos to whoever it was who combined the photos of this beauty into one pin.

Aglae. From the exhibition "Napoleon and the Empire of Fashion". Lancaster-Barreto collection.Coat: Camel wool in natural colour. Silk organza collar, pipping and buttons. Pluche de some, imitating fur, France, circa 1808. Mechlin collar lace.  Great example of the influence of Napoleon's peninsular war, the troubadour painting and the romanticism.  "Manches a la espagnole"  Cameo: seashell, enamel, gold. France, first quart of the XIX century. Bag: Marrocain leather, France, circa 1804.

Aglae. From the exhibition "Napoleon and the Empire of Fashion". Lancaster-Barreto collection.Coat: Camel wool in natural colour. Silk organza collar, pipping and buttons. Pluche de some, imitating fur, France, circa 1808. Mechlin collar lace. Great example of the influence of Napoleon's peninsular war, the troubadour painting and the romanticism. "Manches a la espagnole" Cameo: seashell, enamel, gold. France, first quart of the XIX century. Bag: Marrocain leather, France, circa 1804.

A day dress of ivory silk gauze, circa 1810, with an all over leaf design in green silk thread.

A day dress of ivory silk gauze, circa 1810, with an all over leaf design in green silk thread.

'Everyday' and very lovely. Printed cotton dress 1810-1814 Bath Fashion Museum

'Everyday' and very lovely. Printed cotton dress 1810-1814 Bath Fashion Museum

A morning outfit. c1818 white muslin trousseau gown. Early 1800s blue silk netted purse and ribbon. c1820 embroidered cream cotton shawl.

A morning outfit. c1818 white muslin trousseau gown. Early 1800s blue silk netted purse and ribbon. c1820 embroidered cream cotton shawl.

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