UNTITLED/ Jean Mar (Jean Marchand) (c. 1828–1911, Switzerland), c. 1908, Bel-Air Clinic, Chine-Bourg, Switzerland, paper, plant fiber, and white and black string, 4 3/4 x 2 1/2 in. Collection de l’Art Brut, Lausanne, Switzerland, cab-A414. Photo credits: © Collection de l’Art Brut, Lausanne. Photo by Caroline Smyrliadis, Atelier de numérisation—Ville de Lausanne

UNTITLED/ Jean Mar (Jean Marchand) (c. 1828–1911, Switzerland), c. 1908, Bel-Air Clinic, Chine-Bourg, Switzerland, paper, plant fiber, and white and black string, 4 3/4 x 2 1/2 in. Collection de l’Art Brut, Lausanne, Switzerland, cab-A414. Photo credits: © Collection de l’Art Brut, Lausanne. Photo by Caroline Smyrliadis, Atelier de numérisation—Ville de Lausanne

TABLEAU MERVEILLEUX Nº 33 (Marvelous painting no. 33)/ Fleury-Joseph Crépin (1875–1948, France), July 1939, Montigny-en-Gohelle, France, oil on canvas, 19 3/4 x 25 5/8 in., Collection de l’Art Brut, Lausanne, Switzerland, cab-A142. Photo credits: © Collection de l’Art Brut, Lausanne. Photo by Henri Germond, Atelier de numérisation—Ville de Lausanne

TABLEAU MERVEILLEUX Nº 33 (Marvelous painting no. 33)/ Fleury-Joseph Crépin (1875–1948, France), July 1939, Montigny-en-Gohelle, France, oil on canvas, 19 3/4 x 25 5/8 in., Collection de l’Art Brut, Lausanne, Switzerland, cab-A142. Photo credits: © Collection de l’Art Brut, Lausanne. Photo by Henri Germond, Atelier de numérisation—Ville de Lausanne

UNTITLED/Annie Chaissac (b. December 1942,Vix, France), n.d., France, cut-and-pasted papers on paper, 8 5/8 x 6 1/2 in., Collection de l’Art Brut, Lausanne, Switzerland, ni-695. Photo credits: © Collection de l’Art Brut, Lausanne. Photo by Olivier Laffely, Atelier de numérisation—Ville de Lausanne

UNTITLED/Annie Chaissac (b. December 1942,Vix, France), n.d., France, cut-and-pasted papers on paper, 8 5/8 x 6 1/2 in., Collection de l’Art Brut, Lausanne, Switzerland, ni-695. Photo credits: © Collection de l’Art Brut, Lausanne. Photo by Olivier Laffely, Atelier de numérisation—Ville de Lausanne

Arte Brut | Juliette Elisa Bataille, “Night setting” (1948), wool and cotton embroidery on cardboard, 8 x 7 1/8 inches (photo by Ulrich Choffat, Atelier de numérisation, Ville de Lausanne, © Collection de l’Art Brut) (click to enlarge)

Arte Brut | Juliette Elisa Bataille, “Night setting” (1948), wool and cotton embroidery on cardboard, 8 x 7 1/8 inches (photo by Ulrich Choffat, Atelier de numérisation, Ville de Lausanne, © Collection de l’Art Brut) (click to enlarge)

LA FOULE (THE CROWD)/ Alfonso Ossorio (1916, Philippines–1990, United States) ) 1951, United States, ink, wax, watercolor and gouache on drawing paper cut out glued on a wood panel, 33 1/8 x 23 5/8 in., Collection de l’Art Brut, Lausanne, Switzerland, ni-1205. Photo credits: © Collection de l’Art Brut, Lausanne. Photo by Caroline Smyrliadis, Atelier de numérisation—Ville de Lausanne

LA FOULE (THE CROWD)/ Alfonso Ossorio (1916, Philippines–1990, United States) ) 1951, United States, ink, wax, watercolor and gouache on drawing paper cut out glued on a wood panel, 33 1/8 x 23 5/8 in., Collection de l’Art Brut, Lausanne, Switzerland, ni-1205. Photo credits: © Collection de l’Art Brut, Lausanne. Photo by Caroline Smyrliadis, Atelier de numérisation—Ville de Lausanne

TABLEAU MERVEILLEUX Nº 32 (MARVELOUS PAINTING NO. 32)/ Fleury-Joseph Crépin (1875–1948, France), July 1939, Montigny-en-Gohelle, France, oil on canvas, 19 3/4 x 25 5/8 in., Collection de l’Art Brut, Lausanne, Switzerland, cab-A143. Photo credits: © Collection de l’Art Brut, Lausanne. Photo by Marie Humair, Atelier de numérisation—Ville de Lausanne

TABLEAU MERVEILLEUX Nº 32 (MARVELOUS PAINTING NO. 32)/ Fleury-Joseph Crépin (1875–1948, France), July 1939, Montigny-en-Gohelle, France, oil on canvas, 19 3/4 x 25 5/8 in., Collection de l’Art Brut, Lausanne, Switzerland, cab-A143. Photo credits: © Collection de l’Art Brut, Lausanne. Photo by Marie Humair, Atelier de numérisation—Ville de Lausanne

PROMENADE DU ROI ET DE LA REINE;TEXTE ET DESSIN (Promenade of theking and queen; text and drawing)/ Jean Mar (Jean Marchand) (c. 1828–1911, Switzerland), c. 1908, Bel-Air Clinic, Chine-Bourg,Switzerland, pencil on paper, 9 3/4 x 9 3/4 in., Collection de l’Art Brut, Lausanne, Switzerland, cab-A415. Photo credits: © Collection de l’Art Brut, Lausanne. Photo by Amélie Blanc, Atelier de numérisation—Ville de Lausanne

PROMENADE DU ROI ET DE LA REINE;TEXTE ET DESSIN (Promenade of theking and queen; text and drawing)/ Jean Mar (Jean Marchand) (c. 1828–1911, Switzerland), c. 1908, Bel-Air Clinic, Chine-Bourg,Switzerland, pencil on paper, 9 3/4 x 9 3/4 in., Collection de l’Art Brut, Lausanne, Switzerland, cab-A415. Photo credits: © Collection de l’Art Brut, Lausanne. Photo by Amélie Blanc, Atelier de numérisation—Ville de Lausanne

Adolf Wö̈lfli (born February 29, 1864, Bowil, Switzerland, died November 6, 1930, Bern, Switzerland)/ UNTITLED (Saint Adolph bitten in the leg by the snake),1921, The Waldau Clinic, Bern, Switzerland, colored pencil and pencil on paper, 26 3/4 x 20 1/8 in., Collection de l’Art Brut, Lausanne, Switzerland, cab-A130. Photo credits: © Collection de l’Art Brut, Lausanne. Photo by Marie Humair, Atelier de numérisation—Ville de Lausanne

Adolf Wö̈lfli (born February 29, 1864, Bowil, Switzerland, died November 6, 1930, Bern, Switzerland)/ UNTITLED (Saint Adolph bitten in the leg by the snake),1921, The Waldau Clinic, Bern, Switzerland, colored pencil and pencil on paper, 26 3/4 x 20 1/8 in., Collection de l’Art Brut, Lausanne, Switzerland, cab-A130. Photo credits: © Collection de l’Art Brut, Lausanne. Photo by Marie Humair, Atelier de numérisation—Ville de Lausanne

YANKEE BLUFF/UNTITLED (double-sided)/ Gustav (1885, Germany–?), November 9, 1942, psychiatric hospital, France, ink on paper, 10 7/8 x 6 1/2 in., Collection de l’Art Brut, Lausanne, Switzerland, cab-2076. Photo credits: © Collection de l’Art Brut, Lausanne. Photo by Caroline Smyrliadis, Atelier de numérisation—Ville de Lausanne

YANKEE BLUFF/UNTITLED (double-sided)/ Gustav (1885, Germany–?), November 9, 1942, psychiatric hospital, France, ink on paper, 10 7/8 x 6 1/2 in., Collection de l’Art Brut, Lausanne, Switzerland, cab-2076. Photo credits: © Collection de l’Art Brut, Lausanne. Photo by Caroline Smyrliadis, Atelier de numérisation—Ville de Lausanne

VOYAGE SANS RETOUR (VOYAGE WITH NO RETURN) / Paul End (Paul Engrand) (1896–1973, France), 1948, Saint-André-lès-Lille Psychiatric Hospital, France, colored pencil and pencil on packing paper coated with oil paint, 17 1/8 x 29 1/2 in., Collection de l’Art Brut, Lausanne, Switzerland, cab-218. Photo credits: © Collection de l’Art Brut, Lausanne. Photo by Caroline Smyrliadis, Atelier de numérisation—Ville de Lausanne

VOYAGE SANS RETOUR (VOYAGE WITH NO RETURN) / Paul End (Paul Engrand) (1896–1973, France), 1948, Saint-André-lès-Lille Psychiatric Hospital, France, colored pencil and pencil on packing paper coated with oil paint, 17 1/8 x 29 1/2 in., Collection de l’Art Brut, Lausanne, Switzerland, cab-218. Photo credits: © Collection de l’Art Brut, Lausanne. Photo by Caroline Smyrliadis, Atelier de numérisation—Ville de Lausanne

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