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Joseph Martinez — Steady Hands, Blurry Vision  http://www.weheart.co.uk/2014/02/13/joseph-martinez-steady-hands-blurry-vision/

Joseph Martinez — Steady Hands, Blurry Vision http://www.weheart.co.uk/2014/02/13/joseph-martinez-steady-hands-blurry-vision/

Joseph Martinez — Steady Hands, Blurry Vision  http://www.weheart.co.uk/2014/02/13/joseph-martinez-steady-hands-blurry-vision/

Joseph Martinez — Steady Hands, Blurry Vision http://www.weheart.co.uk/2014/02/13/joseph-martinez-steady-hands-blurry-vision/

Just wow. :: JeeYoung Lee creates highly elaborate scenes that require an incredible amount of patience and absolutely no photo manipulation. For weeks and sometimes months, the young Korean artist works in the confines of her small 360 x 410 x 240 cm studio bringing to life worlds that defy all logic. In the middle of the sets you can always find the artist herself, as these are self-portraits but of the unconventional kind.

Just wow. :: JeeYoung Lee creates highly elaborate scenes that require an incredible amount of patience and absolutely no photo manipulation. For weeks and sometimes months, the young Korean artist works in the confines of her small 360 x 410 x 240 cm studio bringing to life worlds that defy all logic. In the middle of the sets you can always find the artist herself, as these are self-portraits but of the unconventional kind.

Chu Teh-Chun (Chinese-French, 1920-2014), Premières lueurs [First Light], 1998. Oil on canvas, 130 x 130 cm.

Chu Teh-Chun (Chinese-French, 1920-2014), Premières lueurs [First Light], 1998. Oil on canvas, 130 x 130 cm.

"Untitled Iceberg (Soft)" by Whitney Bedford

"Untitled Iceberg (Soft)" by Whitney Bedford

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