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So a few of you shamelessly encouraged me to discuss Art Nouveau. I don't think you guys even knew what you were getting into. I love Art Nouveau. It's quite easily the single greatest influence on my art and general aesthetic... ever. And because I'm me, I couldn't just be like OH HERE ARE SOME…

So a few of you shamelessly encouraged me to discuss Art Nouveau. I don't think you guys even knew what you were getting into. I love Art Nouveau. It's quite easily the single greatest influence on my art and general aesthetic... ever. And because I'm me, I couldn't just be like OH HERE ARE SOME…

Frederick Henry Evans  1853-1943  AUBREY BEARDSLEY  platinum print, on a hand-ruled mount, signed and annotated on the mount, a Pen and Ink Floral Border by BEARDSLEY affixed to the mount, 1894;

Frederick Henry Evans 1853-1943 AUBREY BEARDSLEY platinum print, on a hand-ruled mount, signed and annotated on the mount, a Pen and Ink Floral Border by BEARDSLEY affixed to the mount, 1894;

Aubrey Beardsley, Lysistrata. See The Virtual Artist gallery: www.theartistobjective.com/gallery/index:

Aubrey Beardsley, Lysistrata. See The Virtual Artist gallery: www.theartistobjective.com/gallery/index:

aubrey beardsley

aubrey beardsley

‘Art for art’s sake’? Dr Carolyn Burdett considers the ways in which aestheticism and decadence shocked the Victorian establishment by challenging traditional values, foregrounding sensuality and promoting artistic, sexual and political experimentation.

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