Still Life: Double Cherry-Blossom Branch, Telescope, Sweet Fish, and Tissue Case  Katsushika Hokusai  (Japanese, 1760–1849)  Period: Edo period (1615–1868) Date: ca. 1804–13 Culture: Japan Medium: Polychrome woodblock print (surimono); ink and color on paper

Still Life: Double Cherry-Blossom Branch, Telescope, Sweet Fish, and Tissue Case Katsushika Hokusai (Japanese, 1760–1849) Period: Edo period (1615–1868) Date: ca. 1804–13 Culture: Japan Medium: Polychrome woodblock print (surimono); ink and color on paper

A Ferry boat Crossing the Bay  Katsushika Hokusai  (Japanese, 1760–1849)  Period: Edo period (1615–1868) Culture: Japan Medium: Polychrome woodblock print (surimono); ink and color on paper

A Ferry boat Crossing the Bay Katsushika Hokusai (Japanese, 1760–1849) Period: Edo period (1615–1868) Culture: Japan Medium: Polychrome woodblock print (surimono); ink and color on paper

Woman Folding Cloth  Katsushika Hokusai  (Japanese, 1760–1849)  Period: Edo period (1615–1868) Culture: Japan Medium: Polychrome woodblock print (surimono); ink and color on paper

Woman Folding Cloth Katsushika Hokusai (Japanese, 1760–1849) Period: Edo period (1615–1868) Culture: Japan Medium: Polychrome woodblock print (surimono); ink and color on paper

Horse Pattern (Koma shôbu),from the series Horses  Katsushika Hokusai  (Japanese, 1760–1849)  Period: Edo period (1615–1868) Date: 1822 Culture: Japan Medium: Polychrome woodblock print (surimono); ink and color on paper

Horse Pattern (Koma shôbu),from the series Horses Katsushika Hokusai (Japanese, 1760–1849) Period: Edo period (1615–1868) Date: 1822 Culture: Japan Medium: Polychrome woodblock print (surimono); ink and color on paper

Illustration of the Poem by Kakinomoto Hitomaro.  Katsushika Hokusai  (Japanese, 1760–1849)  Period: Edo period (1615–1868) Date: 1839 Culture: Japan Medium: Polychrome woodblock print; ink and color on paper

Illustration of the Poem by Kakinomoto Hitomaro. Katsushika Hokusai (Japanese, 1760–1849) Period: Edo period (1615–1868) Date: 1839 Culture: Japan Medium: Polychrome woodblock print; ink and color on paper

Mystical Bird (Karyôbinga)  Katsushika Hokusai  (Japanese, 1760–1849)  Period: Edo period (1615–1868) Date: 1820–33 Culture: Japan Medium: Polychrome woodblock print (surimono); ink and color on paper

Mystical Bird (Karyôbinga) Katsushika Hokusai (Japanese, 1760–1849) Period: Edo period (1615–1868) Date: 1820–33 Culture: Japan Medium: Polychrome woodblock print (surimono); ink and color on paper

Rooster, Hen and Chicken with Spiderwort  Katsushika Hokusai  (Japanese, 1760–1849)  Period: Edo period (1615–1868) Date: ca. 1830–33 Culture: Japan Medium: Polychrome woodblock print; ink and color on paper

Rooster, Hen and Chicken with Spiderwort Katsushika Hokusai (Japanese, 1760–1849) Period: Edo period (1615–1868) Date: ca. 1830–33 Culture: Japan Medium: Polychrome woodblock print; ink and color on paper

Still Life  Ryûryûkyo Shinsai  (Japanese, 1764?–1820)  Period: Edo period (1615–1868) Date: probably 1816 Culture: Japan Medium: Polychrome woodblock print (surimono); ink and color on paper

Still Life Ryûryûkyo Shinsai (Japanese, 1764?–1820) Period: Edo period (1615–1868) Date: probably 1816 Culture: Japan Medium: Polychrome woodblock print (surimono); ink and color on paper

Bird-and-Flower Paintings  Katsushika Hokusai  (Japanese, 1760–1849)  Calligrapher: after Kumagai Naozane (Japanese, 1141–1208) Period: Edo period (1615–1868) Date: ca. 1816–20 Culture: Japan Medium: Polychrome woodblock print; ink and color on paper

Bird-and-Flower Paintings Katsushika Hokusai (Japanese, 1760–1849) Calligrapher: after Kumagai Naozane (Japanese, 1141–1208) Period: Edo period (1615–1868) Date: ca. 1816–20 Culture: Japan Medium: Polychrome woodblock print; ink and color on paper

Seal-Stone and Seal-Ink  Totoya Hokkei  (Japanese, 1780–1850)  Period: Edo period (1615–1868) Date: probably 1817 Culture: Japan Medium: Polychrome woodblock print (surimono); ink and color on paper

Seal-Stone and Seal-Ink Totoya Hokkei (Japanese, 1780–1850) Period: Edo period (1615–1868) Date: probably 1817 Culture: Japan Medium: Polychrome woodblock print (surimono); ink and color on paper

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