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Follow the Clay:: Think of how the moist clay will physically move through the studio in every stage, from forming through packing. A large studio does not necessarily mean a profitable operation. It is quite possible to have a cost-effective pottery in a relatively small studio. One area of production should flow logically to the next.

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Many people may be thinking about switching their firing method from high-fire to mid-range. For instance, students who recently graduated and lost access to school gas kilns, people with a day job and those who work in their garage studios, or production potters who are concerned about fuel conservation and energy savings. This reference is intended as a tool for those people to start glaze experimentation at mid-range that can be accomplished with minimal resources.