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LUCILE SILK and METALLIC LACE BELLE EPOCH GOWN, Winter 1911. Trained royal purple charmeuse with short sleeve wrap bodice of gold metallic lace under purple net trimmed with gold fringe and silk flowers, draped hobble skirt with ruffled chiffon side panels heavily appliqued in metallic gold, open at front hem with tassel over chiffon insert, demi-train

LUCILE SILK and METALLIC LACE BELLE EPOCH GOWN, Winter 1911. Trained royal purple charmeuse with short sleeve wrap bodice of gold metallic lace under purple net trimmed with gold fringe and silk flowers, draped hobble skirt with ruffled chiffon side panels heavily appliqued in metallic gold, open at front hem with tassel over chiffon insert, demi-train

Cream-colored silk dress with short sleeves, partially printed with cashmere pattern and pink roses, 1913-1917, Museum Rotterdam

Cream-colored silk dress with short sleeves, partially printed with cashmere pattern and pink roses, 1913-1917, Museum Rotterdam

France. Hat and gown for the races, by Jeanne Lanvin, Les Modes, April 1912 // by Talbot

France. Hat and gown for the races, by Jeanne Lanvin, Les Modes, April 1912 // by Talbot

LaFerrière satin/tulle dinner gown with metallic embroidery, c.1912. Label: “LaFerrière, Paris” is woven into the petersham.

LaFerrière satin/tulle dinner gown with metallic embroidery, c.1912. Label: “LaFerrière, Paris” is woven into the petersham.

Court gown, 1912. That's "court" as in, the place where the Queen hangs out. The detail on this is fantastic. An expert described this dress as ""Court gown c. 1912 of heavily embroidered net with a "manteau de cour" of ombre shaded crepe-damasse". (If you ever need to use "crepe-damasse" in a sentence, there you go.)

Court gown, 1912. That's "court" as in, the place where the Queen hangs out. The detail on this is fantastic. An expert described this dress as ""Court gown c. 1912 of heavily embroidered net with a "manteau de cour" of ombre shaded crepe-damasse". (If you ever need to use "crepe-damasse" in a sentence, there you go.)

VELVET & WOOL AFTERNOON GOWN, c. 1902 (back view) 2-piece, taupe moire silk faille & velvet w/ faun wool flannel appliques in stylized folige motifs, bolero style bodice, high neck "under bodice" of cream silk panne, ribbon embroidered & lace trimmed lapels, lace jabot, B 32", W 24.5", Skirt L 40"-46"

VELVET & WOOL AFTERNOON GOWN, c. 1902 (back view) 2-piece, taupe moire silk faille & velvet w/ faun wool flannel appliques in stylized folige motifs, bolero style bodice, high neck "under bodice" of cream silk panne, ribbon embroidered & lace trimmed lapels, lace jabot, B 32", W 24.5", Skirt L 40"-46"

VELVET & WOOL AFTERNOON GOWN, c. 1902 (side view) 2-piece, taupe moire silk faille & velvet w/ faun wool flannel appliques in stylized folige motifs, bolero style bodice, high neck "under bodice" of cream silk panne, ribbon embroidered & lace trimmed lapels, lace jabot, B 32", W 24.5", Skirt L 40"-46"

VELVET & WOOL AFTERNOON GOWN, c. 1902 (side view) 2-piece, taupe moire silk faille & velvet w/ faun wool flannel appliques in stylized folige motifs, bolero style bodice, high neck "under bodice" of cream silk panne, ribbon embroidered & lace trimmed lapels, lace jabot, B 32", W 24.5", Skirt L 40"-46"

1910-1919 Day dress by Renaud & Cie, Barcelona. Cream-colored silk organza over silk satin with tunic overlay of tulle embroidered with beads and applications of metallic lace. Boned bodice. Textile Museum & Documentation Center, Terrassa, Spain. (IMATEX)

1910-1919 Day dress by Renaud & Cie, Barcelona. Cream-colored silk organza over silk satin with tunic overlay of tulle embroidered with beads and applications of metallic lace. Boned bodice. Textile Museum & Documentation Center, Terrassa, Spain. (IMATEX)

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