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Four photographers explore life in London's liminal spaces.

Four photographers explore life in London's liminal spaces.

"My photographic work draws upon a return to the classic paintings of Art History. Through the use of color, natural illumination at its extremes, open composition and multiple vanishing points that simultaneously draw the observer’s eye to different focal points of various events, the borders between dream and wakening are blurred."

Itamar Freed

"My photographic work draws upon a return to the classic paintings of Art History. Through the use of color, natural illumination at its extremes, open composition and multiple vanishing points that simultaneously draw the observer’s eye to different focal points of various events, the borders between dream and wakening are blurred."

Face In The Crowd, Crowd #12 (Speedyclick.com), 2013  Alex Prager – Photography & Films

Face In The Crowd, Crowd #12 (Speedyclick.com), 2013 Alex Prager – Photography & Films

1939-horst-p-horst-lipstick-vogue-1939

1939-horst-p-horst-lipstick-vogue-1939

Fred Herzog's work focuses primarily on "ordinary" people, the working class, and their connections to the city around them. He worked primarily with slide film (mostly Kodachrome), which limited his ability to exhibit, and also marginalized him somewhat as an artist in the 1950s and 60s when most work was in Black and White. However, he has been increasingly recognized in recent decades.

Fred Herzog's work focuses primarily on "ordinary" people, the working class, and their connections to the city around them. He worked primarily with slide film (mostly Kodachrome), which limited his ability to exhibit, and also marginalized him somewhat as an artist in the 1950s and 60s when most work was in Black and White. However, he has been increasingly recognized in recent decades.

A woman leans on the entrance to one of Bordighera’s gardens in Italy, 1928.Photograph by Hans Hildenbrand, National Geographic Creative

A woman leans on the entrance to one of Bordighera’s gardens in Italy, 1928.Photograph by Hans Hildenbrand, National Geographic Creative

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