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Music Lesson MMXV - Pinned by Mak Khalaf Inspired by masters of the Reneissance and Baroque this photo is one in the whole series with a lute. Fine Art Portraitartartistbaroquebeautifulbeautyconcertgirlgirlsguitaritalylessonlightlutemusicmusicianreneissanceshadetexture by KarolSzejkoZeikophotography

Music Lesson MMXV - Pinned by Mak Khalaf Inspired by masters of the Reneissance and Baroque this photo is one in the whole series with a lute. Fine Art Portraitartartistbaroquebeautifulbeautyconcertgirlgirlsguitaritalylessonlightlutemusicmusicianreneissanceshadetexture by KarolSzejkoZeikophotography

Jonathan Yeo, Helena, 2014, Archival inkjet print with torn edges and hand finishing, Paper size: 17 1/2 x 17 1/2 in / 45.5 x 45.5 cm, Edition of 52

Jonathan Yeo, Helena, 2014, Archival inkjet print with torn edges and hand finishing, Paper size: 17 1/2 x 17 1/2 in / 45.5 x 45.5 cm, Edition of 52

“Animal Child”– série fotográfica de SHELLY MOSMAN « The Hype BR

“Animal Child”– série fotográfica de SHELLY MOSMAN

Abril 2016 I 44 pag I Todo Color I PDF I de la tour™ / designC/ Arenys de Mar 112 08490Tordera Barcelona España00 +34 684 305 904www.delatour.zz.muinfo@delatour.zz.muskype: delatourdesignfacebook: de-la-tourtwitter: delatourdesigninstagram: delatourdesign41° 42.16105200000001' N2° 40.4128079999964'

THEND Magazine 0015

Abril 2016 I 44 pag I Todo Color I PDF I de la tour™ / designC/ Arenys de Mar 112 08490Tordera Barcelona España00 +34 684 305 904www.delatour.zz.muinfo@delatour.zz.muskype: delatourdesignfacebook: de-la-tourtwitter: delatourdesigninstagram: delatourdesign41° 42.16105200000001' N2° 40.4128079999964'

La Leçon d’anatomie du docteur Tulp par Rembrandt

When mechanics reproduce renaissance paintings

In the 17th century, Peter Paul Rubens was the most coveted portraitist in northern Europe; he painted the elite members of noble society, scholars, and nights. King Philip IV of Spain sat for his canvas, as did Marchesa Brigida Spinola-Doria of Genoa, an aristocrat rendered in glittering satin and intended to be viewed from a height, glancing downwards at an audience that was doubtlessly beneath her high-ranking status.

In the 17th century, Peter Paul Rubens was the most coveted portraitist in northern Europe; he painted the elite members of noble society, scholars, and nights. King Philip IV of Spain sat for his canvas, as did Marchesa Brigida Spinola-Doria of Genoa, an aristocrat rendered in glittering satin and intended to be viewed from a height, glancing downwards at an audience that was doubtlessly beneath her high-ranking status.

In the 17th century, Peter Paul Rubens was the most coveted portraitist in northern Europe; he painted the elite members of noble society, scholars, and nights. King Philip IV of Spain sat for his canvas, as did Marchesa Brigida Spinola-Doria of Genoa, an aristocrat rendered in glittering satin and intended to be viewed from a height, glancing downwards at an audience that was doubtlessly beneath her high-ranking status.

In the 17th century, Peter Paul Rubens was the most coveted portraitist in northern Europe; he painted the elite members of noble society, scholars, and nights. King Philip IV of Spain sat for his canvas, as did Marchesa Brigida Spinola-Doria of Genoa, an aristocrat rendered in glittering satin and intended to be viewed from a height, glancing downwards at an audience that was doubtlessly beneath her high-ranking status.

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