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Motoi Yamamoto installs his salt sculpture, “Return to the Sea: Saltworks,” at the Halsey Institute of Contemporary Art. @Aasimah Navlakhi @PostandCourier @bexclaere #Spoleto #sfusa #art

Motoi Yamamoto installs his salt sculpture, “Return to the Sea: Saltworks,” at the Halsey Institute of Contemporary Art. @Aasimah Navlakhi @PostandCourier @bexclaere #Spoleto #sfusa #art

Bagan. Myanmar, 2000  Silver gelatin print, edition 1/4 Wolfgang Laib  https://www.artexperiencenyc.com/social_login/?utm_source=pinterest_medium=pins_content=pinterest_pins_campaign=pinterest_initial

Bagan. Myanmar, 2000 Silver gelatin print, edition 1/4 Wolfgang Laib https://www.artexperiencenyc.com/social_login/?utm_source=pinterest_medium=pins_content=pinterest_pins_campaign=pinterest_initial

Wolfgang Laib [Germany] (b 1950) ~ "The Rice Meals", 1998. Brass plates, rice, and hazelnut pollen (936 x 25 cm)

Wolfgang Laib [Germany] (b 1950) ~ "The Rice Meals", 1998. Brass plates, rice, and hazelnut pollen (936 x 25 cm)

Transcendence, Acknowledging the Spiritual in Contemporary Art Wolfgang Laib, Without Place – Without Time – Without Body, 2009, Mounds of rice and pollen, installation detail.  Transcendence, Acknowledg...

Transcendence, Acknowledging the Spiritual in Contemporary Art Wolfgang Laib, Without Place – Without Time – Without Body, 2009, Mounds of rice and pollen, installation detail. Transcendence, Acknowledg...

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