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Komar & Melamid, Suite in Chrome Yellow (A Suicide in Motel)

Komar & Melamid, Suite in Chrome Yellow (A Suicide in Motel)

Suburban Gothic | Neon Glow                                                                                                                                                                                 Mehr

The dusky glow of the neon. Freezing warmth from beyond.

In Beneath the Roses, anonymous townscape, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarity, ostensibly banal interiors become the staging grounds for strange human scenarios. Gregory Crewdson’s scenes are tangibly atmospheric: visually alluring and often deeply disquieting. Never anchored precisely in time or place,located in the dystopic landscape of the anxious American Imagination.

Gregory Crewdson: Untitled (The Father), from the series ‘Beneath the Roses’ My favorite photographer on the planet.

No Country For Old Men |  Cinematography by Roger Deakins | Directed by Ethan Coen, Joel Coen

No Country For Old Men - Cinematography by Roger Deakins Directed by Ethan Coen, Joel Coen

Cybil] "Only 2.." I mumble to myself, glancing around the darkened room. Silence fills the empty space only to be broken by floorboards creaking. I shrug, knowing this is a shared house, and lean back against the wall. You knock and walk in.

Cybil] "Only I mumble to myself, glancing around the darkened room. Silence fills the empty space only to be broken by floorboards creaking. I shrug, knowing this is a shared house, and lean back against the wall. You knock and walk in.

Anthony Perkins and Janet Leigh in "Psycho" (Alfred Hitchcock) 1960

Help me, I've fallen and I can't get up Anthony Perkins and Janet Leigh in "Psycho" (Alfred Hitchcock) 1960

PSYCHO

PSYCHO

Shelter by Kaspar Bossers

would be hard to plan a misty night, but photos of clothes would look cool against a misty background

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