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Designed by Pieter Coecke van Aelst (Netherlandish, 1502–1550). Seven Deadly Sins: Sloth tapestry (detail), designed ca. 1532 - 1533, woven ca. 1548 - 1549. Woven under the direction of Willem de Pannemaker, Brussels. Kunsthistorisches Museum Wien, Kunstkammer. | This work is featured in "Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry," on view October 8, 2014–January 11, 2015. #tapestrytuesday #granddesign

Designed by Pieter Coecke van Aelst (Netherlandish, 1502–1550). Seven Deadly Sins: Sloth tapestry (detail), designed ca. 1532 - 1533, woven ca. 1548 - 1549. Woven under the direction of Willem de Pannemaker, Brussels. Kunsthistorisches Museum Wien, Kunstkammer. | This work is featured in "Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry," on view October 8, 2014–January 11, 2015. #tapestrytuesday #granddesign

Mask (Okoroshi Oma) Date: 19th–20th century Geography: Nigeria Culture: Igbo peoples Medium: Wood, cloth, pigment Dimensions: H x W: 10 3/4 ...

Mask (Okoroshi Oma) Date: 19th–20th century Geography: Nigeria Culture: Igbo peoples Medium: Wood, cloth, pigment Dimensions: H x W: 10 3/4 ...

Designed by Pieter Coecke van Aelst (Netherlandish, 1502–1550). Seven Deadly Sins: Sloth tapestry (detail), designed ca. 1532 - 1533, woven ca. 1548 - 1549. Woven under the direction of Willem de Pannemaker, Brussels. Kunsthistorisches Museum Wien, Kunstkammer. | This work is featured in "Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry," on view October 8, 2014–January 11, 2015. #coecke #tapestrytuesday #granddesign

Designed by Pieter Coecke van Aelst (Netherlandish, 1502–1550). Seven Deadly Sins: Sloth tapestry (detail), designed ca. 1532 - 1533, woven ca. 1548 - 1549. Woven under the direction of Willem de Pannemaker, Brussels. Kunsthistorisches Museum Wien, Kunstkammer. | This work is featured in "Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry," on view October 8, 2014–January 11, 2015. #coecke #tapestrytuesday #granddesign

Pieter Coecke van Aelst (Netherlandish, 1502–1550). Story of Saint Paul: Conversion of Saul tapestry, designed ca. 1529, woven before 1563. Woven under the direction of Frans van den Bossche (Flemish). Bayerisches Nationalmuseum, München. | This work is featured in "Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry," on view October 8, 2014–January 11, 2015. #Coecke #tapestrytuesday #granddesign

Pieter Coecke van Aelst (Netherlandish, 1502–1550). Story of Saint Paul: Conversion of Saul tapestry, designed ca. 1529, woven before 1563. Woven under the direction of Frans van den Bossche (Flemish). Bayerisches Nationalmuseum, München. | This work is featured in "Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry," on view October 8, 2014–January 11, 2015. #Coecke #tapestrytuesday #granddesign

CAMEROON | Helmet Mask, before 1880. Cameroon. The Metropolitan Museum of Art, New York. The Michael C. Rockefeller Memorial Collection, Purchase, Nelson A. Rockefeller Gift, 1967 (1978.412.560)

CAMEROON | Helmet Mask, before 1880. Cameroon. The Metropolitan Museum of Art, New York. The Michael C. Rockefeller Memorial Collection, Purchase, Nelson A. Rockefeller Gift, 1967 (1978.412.560)

Sultan Muhammad Nur (ca. 1472–ca. 1536). "The Mi'raj or The Night Flight of Muhammad on his Steed Buraq", Folio from a Bustan of Sa`di, ca.1525-35. The Metropolitan Museum of Art, New York. Purchase, Louis V. Bell Fund and The Vincent Astor Foundation Gift, 1974 (1974.294.2) #horses

Sultan Muhammad Nur (ca. 1472–ca. 1536). "The Mi'raj or The Night Flight of Muhammad on his Steed Buraq", Folio from a Bustan of Sa`di, ca.1525-35. The Metropolitan Museum of Art, New York. Purchase, Louis V. Bell Fund and The Vincent Astor Foundation Gift, 1974 (1974.294.2) #horses

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