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p120_1w.jpg 450×449 pixels

p120_1w.jpg 450×449 pixels

Mathematica code:  Tile[k_, rx_, ry_, x_, y_, r_] :=  Table[   Translate[    Rotate[     {AbsoluteThickness[k],      Circle[{i, i}, {rx, ry}, {i*Pi, Pi/2 + i*Pi}]},     r, {.5, .5}],    {x, y}],   {i, 0, 1, 1}]  rr[Q_] := (SeedRandom[Q]; RandomReal[])  Manipulate[ Graphics[  Table[   Tile[4, .5 + .5*x/1000, y/1000, x, y, Floor[3*rr[x*y]] Pi/2],   {x, 1, 100, 1}, {y, 1, 100, 1}],  ImageSize - 1000, PlotRange - {{1, 101}, {1, 101}}], {r, 0, 1, .25}]

Mathematica code: Tile[k_, rx_, ry_, x_, y_, r_] := Table[ Translate[ Rotate[ {AbsoluteThickness[k], Circle[{i, i}, {rx, ry}, {i*Pi, Pi/2 + i*Pi}]}, r, {.5, .5}], {x, y}], {i, 0, 1, 1}] rr[Q_] := (SeedRandom[Q]; RandomReal[]) Manipulate[ Graphics[ Table[ Tile[4, .5 + .5*x/1000, y/1000, x, y, Floor[3*rr[x*y]] Pi/2], {x, 1, 100, 1}, {y, 1, 100, 1}], ImageSize - 1000, PlotRange - {{1, 101}, {1, 101}}], {r, 0, 1, .25}]

Truchet from Truchet Tiles - Robert Bosch | Mathematical Art Galleries

Truchet from Truchet Tiles - Robert Bosch | Mathematical Art Galleries

GEORG NEES    8-CORNER / GENERATIVE COMPUTER GRAPHIC, 1960s    “To produce the graphics, I used a drawing board controlled by a punch tape and a digital computer producing the pilot tape. Each graphic has random parameters. The program for each graphic repeats generative fundamental operations so that the mere repetitions, the aesthetic redundancy, produce the random parametric values of the aesthetic improbability of the graphic during each repetition.

GEORG NEES 8-CORNER / GENERATIVE COMPUTER GRAPHIC, 1960s “To produce the graphics, I used a drawing board controlled by a punch tape and a digital computer producing the pilot tape. Each graphic has random parameters. The program for each graphic repeats generative fundamental operations so that the mere repetitions, the aesthetic redundancy, produce the random parametric values of the aesthetic improbability of the graphic during each repetition.

holger lippmann  the spinners 2 series is another particle system based processing work. it rules out a repetition  within an XY axis grid using a for loop structure. the repetition is slightly disintegrated by adding individual noise values. different keyboard and/or mouse inputs are used for manipulation while recording.

holger lippmann the spinners 2 series is another particle system based processing work. it rules out a repetition within an XY axis grid using a for loop structure. the repetition is slightly disintegrated by adding individual noise values. different keyboard and/or mouse inputs are used for manipulation while recording.

oil on canvas,Valérie Jaudon, pattern painting, Fue una corriente que nace de un grupo de artistas californianas opuestas al minimalismo, que usaron técnicas artesanales de naturaleza «femenina», surgido en California en 1975, en cierto sentido tuvo como precursor el llamado arte feminista, realizado por mujeres y teniendo como tema la condición femenina, que surge a finales de la década de los sesenta, en paralelo con el movimiento Women's Lib.

oil on canvas,Valérie Jaudon, pattern painting, Fue una corriente que nace de un grupo de artistas californianas opuestas al minimalismo, que usaron técnicas artesanales de naturaleza «femenina», surgido en California en 1975, en cierto sentido tuvo como precursor el llamado arte feminista, realizado por mujeres y teniendo como tema la condición femenina, que surge a finales de la década de los sesenta, en paralelo con el movimiento Women's Lib.

Christian Zander, self nicknamed Emperor of Antarctica. Approche de deux territoires visiblement poreux, l'est Arts Visuels  et l'esthétique du design graphique. Joue entre le rôle d'artiste et de designer graphique.

Christian Zander, self nicknamed Emperor of Antarctica. Approche de deux territoires visiblement poreux, l'est Arts Visuels et l'esthétique du design graphique. Joue entre le rôle d'artiste et de designer graphique.

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