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Oak brandy...

Oak brandy...

When I am on a pedastal / You did not raise me there ; Your laws do not compel me / To kneel, grotesque and bare...

When I am on a pedastal / You did not raise me there ; Your laws do not compel me / To kneel, grotesque and bare...

D7041 at Bristol St Philips Marsh in April 1967. Built at Beyer Peacock Ltd and delivered to Bristol Bath Rd Depot on 13th July 1962. Withdrawn on 1st Jan 1972 only 10 years old and cut up at Swindon Works in Sept 1972.

D7041 at Bristol St Philips Marsh in April 1967. Built at Beyer Peacock Ltd and delivered to Bristol Bath Rd Depot on 13th July 1962. Withdrawn on 1st Jan 1972 only 10 years old and cut up at Swindon Works in Sept 1972.

Public Disinfectors From 'Street Life in London', 1877, by John Thomson and Adolphe Smith

Public Disinfectors From 'Street Life in London', 1877, by John Thomson and Adolphe Smith

Lift girls, Selfridges, 1928. Decades prior to the ample shopping my beloved late mother and I did there in the 1980s.

Lift girls, Selfridges, 1928. Decades prior to the ample shopping my beloved late mother and I did there in the 1980s.

My Fair Lady Dress 1964 Audrey Hepburn’s iconic Ascot dress from My Fair Lady – Designed by legendary costume designer Cecil Beaton. (Warner Bros., 1964)

My Fair Lady Dress 1964 Audrey Hepburn’s iconic Ascot dress from My Fair Lady – Designed by legendary costume designer Cecil Beaton. (Warner Bros., 1964)

Early Morning Rouse, 2010 - Tall Tales and True // The use of low-key lighting seems to not only create a dark atmosphere but also creates a sense of lingering, almost as if we have intruded into someone's home - even if they once belonged to someone who has died. Stacey arranges the objects in a naturalistic way, making the objects "belong" in the frame as if they weren't in a studio but within' their original place. (2)

Early Morning Rouse, 2010 - Tall Tales and True // The use of low-key lighting seems to not only create a dark atmosphere but also creates a sense of lingering, almost as if we have intruded into someone's home - even if they once belonged to someone who has died. Stacey arranges the objects in a naturalistic way, making the objects "belong" in the frame as if they weren't in a studio but within' their original place. (2)

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