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Empédocle scrutant l’Univers – Luca Signorelli – Orvieto Cappella Nuova

Luca Signorelli, Empedocles, Fresco Chapel of San Brizio, Duomo, Orvieto. (There is something compelling about the sense of space and detail here. Another possibility for the composition of a journal page.

LF33v of the Visconti Hours - Hours of Gian Galeazzo Visconti - Wikipedia, the free encyclopedia

of the Visconti Hours - Hours of Gian Galeazzo Visconti - Wikipedia, the free encyclopedia

W.494, fol. 8v

Lace Book of Marie de' Medici Lace margins Walters Manuscript Folio by Walters Art Museum Illuminated Manuscripts

candelabrum Grotteschi

Grotesques in candelabrum arrangement. Imaginarium: Books: The Grotesque and Its Relatives

Икона Андрея Рублева.

Archangel Michael, 1410 ( by one of the greatest orthodox icon painters Andrei Rublev)

Farnese Hours, M.69, fol. 9v - Farnese Hours Italy, Rome, 1546 M.69, fol. 10r

- Images from Medieval and Renaissance Manuscripts - The Morgan Library & Museum

Farnese Hours, M.69, fol. 90v - Images from Medieval and Renaissance Manuscripts - The Morgan Library & Museum

- Images from Medieval and Renaissance Manuscripts - The Morgan Library & Museum

Ovidius door Luca Signorelli (1499-1502)

Page of Ovid by SIGNORELLI, Luca in the Web Gallery of Art, a searchable image collection and database of European painting, sculpture and architecture

The Ornamentalist: Under Baroque Skies: finding inspiration in the clouds

The center of the ceiling in the spectacularly painted Camera degli Sposi is one of the earliest examples of the di sotto in sù effect.

Genre "self-portrait" - WikiArt.org

Self-portrait with Vitelozzo Vitelli - Luca Signorelli

Simone Martini ~ The Annunciation and Two Saints (St. Margaret and St. Ansanus) (detail of Angel), 1333

The Annunciation and Two Saints (detail) 1333 Tempera on wood Galleria degli Uffizi, Florence.SIMONE MARTINI Italian painter, Sienese school (b.

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