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CITATION: Sam Solnick, "Performing Carbon (in the) Capital," Alluvium, Vol. 3, No. 1 (2014): n. pag. Web. 24 September 2013 http://dx.doi.org/10.7766/alluvium.v3.1.04

CITATION: Sam Solnick, "Performing Carbon (in the) Capital," Alluvium, Vol. 3, No. 1 (2014): n. pag. Web. 24 September 2013 http://dx.doi.org/10.7766/alluvium.v3.1.04

CITATION: Sarah Olive, "Shakespeare on Television, this Millennium," Alluvium, Vol. 2, No. 5 (2013): n. pag. Web. 9 October 2013, http://dx.doi.org/10.7766/alluvium.v2.5.03.  [Image by José Luis Pajares under a CC BY-NC-SA license]

CITATION: Sarah Olive, "Shakespeare on Television, this Millennium," Alluvium, Vol. 2, No. 5 (2013): n. pag. Web. 9 October 2013, http://dx.doi.org/10.7766/alluvium.v2.5.03. [Image by José Luis Pajares under a CC BY-NC-SA license]

CITATION: Sarah Olive, "Shakespeare on Television, this Millennium," Alluvium, Vol. 2, No. 5 (2013): n. pag. Web. 9 October 2013, http://dx.doi.org/10.7766/alluvium.v2.5.03. [Image by www.bbc.co.uk; used under fair dealings provisions]

CITATION: Sarah Olive, "Shakespeare on Television, this Millennium," Alluvium, Vol. 2, No. 5 (2013): n. pag. Web. 9 October 2013, http://dx.doi.org/10.7766/alluvium.v2.5.03. [Image by www.bbc.co.uk; used under fair dealings provisions]

CITATION: Neil Vallelly, "Incipience and the Historical Subject," Alluvium, Vol. 2, No. 5 (2013): n. pag. Web. 9 October 2013, http://dx.doi.org/10.7766/alluvium.v2.5.02. [Image by Sergio García Moratilla under a CC BY-NC-SA license]

CITATION: Neil Vallelly, "Incipience and the Historical Subject," Alluvium, Vol. 2, No. 5 (2013): n. pag. Web. 9 October 2013, http://dx.doi.org/10.7766/alluvium.v2.5.02. [Image by Sergio García Moratilla under a CC BY-NC-SA license]

CITATION: Rob Gallagher, "The Metaphorics of Virtual Depth," Alluvium, Vol. 2, No. 6 (2013) ("Digital Metaphors" Special issue) : n. pag. Web. 4 December 2013, http://dx.doi.org/10.7766/alluvium.v2.6.03 [Image by un singe qui parle under a CC BY-NC-SA license]

CITATION: Rob Gallagher, "The Metaphorics of Virtual Depth," Alluvium, Vol. 2, No. 6 (2013) ("Digital Metaphors" Special issue) : n. pag. Web. 4 December 2013, http://dx.doi.org/10.7766/alluvium.v2.6.03 [Image by un singe qui parle under a CC BY-NC-SA license]

CITATION: Neil Vallelly, "Incipience and the Historical Subject," Alluvium, Vol. 2, No. 5 (2013): n. pag. Web. 9 October 2013, http://dx.doi.org/10.7766/alluvium.v2.5.02. [Image by Boosthammer under a CC BY-NC-SA license]

CITATION: Neil Vallelly, "Incipience and the Historical Subject," Alluvium, Vol. 2, No. 5 (2013): n. pag. Web. 9 October 2013, http://dx.doi.org/10.7766/alluvium.v2.5.02. [Image by Boosthammer under a CC BY-NC-SA license]

CITATION: Sophie Jones, "The Electronic Heart," Alluvium, Vol. 2, No. 6 (2013) ("Digital Metaphors" Special Issue): n. pag. Web. 4 December 2013, http://dx.doi.org/10.7766/alluvium.v2.6.01. [Image by Darren Pierson under a CC BY-NC-SA license]

CITATION: Sophie Jones, "The Electronic Heart," Alluvium, Vol. 2, No. 6 (2013) ("Digital Metaphors" Special Issue): n. pag. Web. 4 December 2013, http://dx.doi.org/10.7766/alluvium.v2.6.01. [Image by Darren Pierson under a CC BY-NC-SA license]

CITATION: Christos Callow Jr., "From Genre to Zenre," Alluvium, Vol. 3, No. 2 (2014): n. pag. Web. 17 October 2014. http://dx.doi.org/10.7766/alluvium.v3.2.04

CITATION: Christos Callow Jr., "From Genre to Zenre," Alluvium, Vol. 3, No. 2 (2014): n. pag. Web. 17 October 2014. http://dx.doi.org/10.7766/alluvium.v3.2.04

CITATION: Adam Stock, "Hypodermics at the fin-de-siècle," Alluvium, Vol. 2, No. 5 (2013): n. pag. Web. 9 October 2013, http://dx.doi.org/10.7766/alluvium.v2.5.04. [Image by Jordan Green under a CC BY-NC license]

CITATION: Adam Stock, "Hypodermics at the fin-de-siècle," Alluvium, Vol. 2, No. 5 (2013): n. pag. Web. 9 October 2013, http://dx.doi.org/10.7766/alluvium.v2.5.04. [Image by Jordan Green under a CC BY-NC license]

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