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Johannes Vermeer (Dutch, 1632–1675). Woman with a Lute, ca. 1662–63. The Metropolitan Museum of Art, New York. Bequest of Collis P. Huntington, 1900 (25.110.24) | In this work of the early 1660s, a young woman in an ermine-trimmed jacket plays a lute and looks intently out the window. The viola da gamba on the floor and songbooks on the table suggest that she may be waiting for a male visitor.

Johannes Vermeer (Dutch, 1632–1675). Woman with a Lute, ca. 1662–63. The Metropolitan Museum of Art, New York. Bequest of Collis P. Huntington, 1900 (25.110.24) | In this work of the early 1660s, a young woman in an ermine-trimmed jacket plays a lute and looks intently out the window. The viola da gamba on the floor and songbooks on the table suggest that she may be waiting for a male visitor.

Anthony van Dyck (Flemish, 1599–1641). Lucas van Uffel (died 1637), ca. 1622. The Metropolitan Museum of Art, New York. Bequest of Benjamin Altman, 1913 (14.40.619) #mustache #movember

Anthony van Dyck (Flemish, 1599–1641). Lucas van Uffel (died 1637), ca. 1622. The Metropolitan Museum of Art, New York. Bequest of Benjamin Altman, 1913 (14.40.619) #mustache #movember

Philippe Rousseau (French 1816–1887).Still Life with Ham,  1870s. The Metropolitan Museum of Art, New York.  Catharine Lorillard Wolfe Collection, Wolfe Fund, 1982, (1982.320).

Philippe Rousseau (French 1816–1887).Still Life with Ham, 1870s. The Metropolitan Museum of Art, New York. Catharine Lorillard Wolfe Collection, Wolfe Fund, 1982, (1982.320).

Can't explain why but I just love this. It's like he's kissing her goodbye before she goes to work, to take over the world <3

Can't explain why but I just love this. It's like he's kissing her goodbye before she goes to work, to take over the world <3

Raphaelle Peale (1774–1825). Still Life with Cake, 1818. The Metropolitan Museum of Art, New York.  Maria DeWitt Jesup Fund, 1959 (59.166) | Peale's tightly grouped still lifes are often permeated with a delicate melancholy akin to that which characterized the life of the artist; he was an alcoholic who suffered the effects of arsenic and mercury poisoning caused by his work as a taxidermist in his father's museu

Raphaelle Peale (1774–1825). Still Life with Cake, 1818. The Metropolitan Museum of Art, New York. Maria DeWitt Jesup Fund, 1959 (59.166) | Peale's tightly grouped still lifes are often permeated with a delicate melancholy akin to that which characterized the life of the artist; he was an alcoholic who suffered the effects of arsenic and mercury poisoning caused by his work as a taxidermist in his father's museu

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