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Paul Poiret  (French, 1879–1944). "Robe Sabat," 1921. French. The Metropolitan Museum of Art, New York. Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Augustus Graham School of Design Fund, 1973 (2009.300.3360) #reddress

Paul Poiret (French, 1879–1944). "Robe Sabat," 1921. French. The Metropolitan Museum of Art, New York. Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Augustus Graham School of Design Fund, 1973 (2009.300.3360) #reddress

Augustabernard (attributed) evening dress Ivory tulle, 1934, USA (licensed French copy). Gift of Mrs. Jessie L. Hills, 93.71.4.  www.fitnyc.edu/21912.asp © 2013 The Museum at FIT Photo by Eileen Costa

Augustabernard (attributed) evening dress Ivory tulle, 1934, USA (licensed French copy). Gift of Mrs. Jessie L. Hills, 93.71.4. www.fitnyc.edu/21912.asp © 2013 The Museum at FIT Photo by Eileen Costa

Court dress, ca. 1750. British. The Metropolitan Museum of Art, New York. Purchase, Irene Lewisohn Bequest, 1965 (C.I.65.13.1a–c) | The most remarkable examples of eighteenth-century dress had extreme proportions, appearing barely wider than the body in profile but as broad as possible in a front or rear view. The skirt of this English gown is fifty-five inches wide and was supported by panniers, or side hoops, of bent willow or whalebone covered in linen. #OneMetManyWorlds

Court dress, ca. 1750. British. The Metropolitan Museum of Art, New York. Purchase, Irene Lewisohn Bequest, 1965 (C.I.65.13.1a–c) | The most remarkable examples of eighteenth-century dress had extreme proportions, appearing barely wider than the body in profile but as broad as possible in a front or rear view. The skirt of this English gown is fifty-five inches wide and was supported by panniers, or side hoops, of bent willow or whalebone covered in linen. #OneMetManyWorlds

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