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Annunciazione, Vittorio Corcos, 1904. Fiesole, Convento di San Francesco.

Annunciazione, Vittorio Corcos, 1904. Fiesole, Convento di San Francesco.

Vittorio Matteo Corcos (Italian, 1859–1933) Title:     MATERNITA  Medium:     Oil on Canvas Size:     98 x 62.5 cm. (38.6 x 24.6 in.)

Vittorio Matteo Corcos (Italian, 1859–1933) Title: MATERNITA Medium: Oil on Canvas Size: 98 x 62.5 cm. (38.6 x 24.6 in.)

Giuseppe Catani Chiti (Prato 1866-Florence 1945), The Saviour, 1900. Oil and gold on wood, 147/175 x 172 cm. Siena, the Basilica of San Francesco. Photo Fabio Lensini, courtesy of the Seminary of Siena.

Giuseppe Catani Chiti (Prato 1866-Florence 1945), The Saviour, 1900. Oil and gold on wood, 147/175 x 172 cm. Siena, the Basilica of San Francesco. Photo Fabio Lensini, courtesy of the Seminary of Siena.

Ferdinand Bol (Dutch, 1616–1680). Petronella Elias (1648–1667) with a Basket of Fruit, 1657. The Metropolitan Museum of Art, New York. Purchase, George T. Delacorte Jr. Gift, 1957 (57.68)

Ferdinand Bol (Dutch, 1616–1680). Petronella Elias (1648–1667) with a Basket of Fruit, 1657. The Metropolitan Museum of Art, New York. Purchase, George T. Delacorte Jr. Gift, 1957 (57.68)

Honoré Daumier (French, 1808–1879). The Third-Class Carriage, ca. 1862–64. The Metropolitan Museum of Art, New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.129) | As a graphic artist and painter, Daumier chronicled the impact of industrialization on modern urban life in mid-nineteenth-century Paris. Here, bathed in light, the nursing mother, elderly woman, and sleeping boy emanate a serenity not often associated with public transport. #paris

Honoré Daumier (French, 1808–1879). The Third-Class Carriage, ca. 1862–64. The Metropolitan Museum of Art, New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.129) | As a graphic artist and painter, Daumier chronicled the impact of industrialization on modern urban life in mid-nineteenth-century Paris. Here, bathed in light, the nursing mother, elderly woman, and sleeping boy emanate a serenity not often associated with public transport. #paris

John Singer Sargent (American, 1856–1925). Two Girls on a Lawn, ca. 1889. The Metropolitan Museum of Art, New York. Gift of Mrs. Francis Ormond, 1950 (50.130.20)

John Singer Sargent (American, 1856–1925). Two Girls on a Lawn, ca. 1889. The Metropolitan Museum of Art, New York. Gift of Mrs. Francis Ormond, 1950 (50.130.20)

Édouard Manet (French, 1832–1883). The Funeral, ca. 1867. The Metropolitan Museum of Art, New York. Catharine Lorillard Wolfe Collection, Wolfe Fund, 1909 (10.36) #Halloween

Édouard Manet (French, 1832–1883). The Funeral, ca. 1867. The Metropolitan Museum of Art, New York. Catharine Lorillard Wolfe Collection, Wolfe Fund, 1909 (10.36) #Halloween

Glyn Warren Philpot (London 1884-1937), Angel of the Annunciation, 1925, oil on canvas, 112 x 87 cm. Brighton and Hove. The Royal Pavilion & Museums.

Glyn Warren Philpot (London 1884-1937), Angel of the Annunciation, 1925, oil on canvas, 112 x 87 cm. Brighton and Hove. The Royal Pavilion & Museums.

Edgar Degas (French, 1834–1917). James-Jacques-Joseph Tissot (1836–1902), ca. 1867–68. The Metropolitan Museum of Art, New York. Rogers Fund, 1939 (39.161)

Edgar Degas (French, 1834–1917). James-Jacques-Joseph Tissot (1836–1902), ca. 1867–68. The Metropolitan Museum of Art, New York. Rogers Fund, 1939 (39.161)

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