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Buddenbrooks / Peter Hailer / Oldenburgisches Staatstheater

Buddenbrooks / Peter Hailer / Oldenburgisches Staatstheater

scene design Yannis Kokkos - Google Search

Raimund Bauer – Set design for Pelléas et Mélisande at the Aalto-Theater Essen, production by Nikolaus Lehnhoff

The lights make it so that you can but can't see the performers.

Maria Stuarda from the Opéra de Genève. Production by Alain Garichot. Sets by Alain Lagarde.

Bernd Alois Zimmermann's Die Soldaten from Bayerische Staatsoper München 2014. Production by Andreas Kriegenburg. Sets by Harald B. Thor.

Bernd Alois Zimmermann's Die Soldaten from Bayerische Staatsoper München Production by Andreas Kriegenburg. Sets by Harald B.

ugruber-ballehr_cosifantutte_1.jpg (4632×2544) Alvis Hermanis

ugruber-ballehr_cosifantutte_1.jpg (4632×2544) Alvis Hermanis

The Old Man and The Old Moon

"The Old Man and the Old Moon" set. Patricia said she loved the style of this for the play. It might be a little too rustic for a NYC apartment but I get the 'storytelling' style of it. It would work well in our black box theater.

Man from Nebraska. Steppenwolf Theatre Company. Set design by Todd Rosenthal.

Man from Nebraska Steppenwolf Theatre Company Directed by Anna Shapiro Set Design by Todd Rosenthal Costume design by Mara Blumenfeld Lighting Design by Annie Wrightson

Es Devlin's design for David Mcvicar's Royal Opera Salome production

Cool idea for levels, could have the office space on top and the warehouse underneath? Es Devlin's design for David Mcvicar's Royal Opera Salome production

KAGADATO selection. The best in the world. Installation. **************************************

Whisper House Set Design by Michael Schweikardt - something like this would work in a play set. In an old urban apartment.

Fidelio, London Coliseum. An English National Opera production. Directed by Calixto Bieito. Conducted by Edward Gardner. ©Tristram Kenton

Tristram Kenton, 'set of Fidelio (London Coliseum, English National Opera, directed by Calixto Bieito, conducted by Edward Gardner)

Written On Skin / -George Benjamin  Martin Crimp libretto  Katie Mitchell stage director  Vicki Mortimer costumes, scenography  Jon Clark lighting

Written On Skin / -George Benjamin Martin Crimp libretto Katie Mitchell stage director Vicki Mortimer costumes, scenography Jon Clark lighting

Giant orb with projections inside on the island. Projections might be more visible during twilight of from Within

Phillip Glass' opera, Akhnaten is a surrealist take on religion in ancient Egypt.

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