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Baroque Spiral Notebooks

Baroque Spiral Notebooks

A PORTUGUESE BAROQUE STYLE GILT-METAL MOUNTED CARVED ROSEWOOD CABINET ON STAND  with a recessed cornice above chevronné frieze and a cupboard door fitted with four mock drawers opening to reveal four shelves, flanked by spiral columns with four drawers on either side, the stand with spirally turned legs joined by a similar stretcher on flattened bun feet.

A PORTUGUESE BAROQUE STYLE GILT-METAL MOUNTED CARVED ROSEWOOD CABINET ON STAND with a recessed cornice above chevronné frieze and a cupboard door fitted with four mock drawers opening to reveal four shelves, flanked by spiral columns with four drawers on either side, the stand with spirally turned legs joined by a similar stretcher on flattened bun feet.

A FINE SOUTH GERMAN WALNUT WARDROBE BAROQUE, LATE 17TH CENTURY the front applied with spirally twisted half-columns flanking the two doors, retaining good wrought iron mounts of blued steel on the interior, a pair of drawers fitted inside the bottom raised on flattened spherical feet, in four sections

A FINE SOUTH GERMAN WALNUT WARDROBE BAROQUE, LATE 17TH CENTURY the front applied with spirally twisted half-columns flanking the two doors, retaining good wrought iron mounts of blued steel on the interior, a pair of drawers fitted inside the bottom raised on flattened spherical feet, in four sections

This overbust corset is made from silver taffeta with a large, black damask print  - Reinforced with spiral steel boning  - Fully lined  -

This overbust corset is made from silver taffeta with a large, black damask print - Reinforced with spiral steel boning - Fully lined -

A pewter, brass, fruitwood and stained sycamore inlaid marquetry, ebony and ebonised cabinet on stand attributed to Pierre Gole (1620-1684) Louis XIV, circa 1680 the upper section of breakfront form with three frieze drawers inlaid with lunettes and bellflowers above a cupboard door inlaid with a vase of flowers on a plinth opening to reveal a fitted interior with four drawers and a parquetry floor above a further drawer flanked by panels with a ribbon-tied floral bouquet

A pewter, brass, fruitwood and stained sycamore inlaid marquetry, ebony and ebonised cabinet on stand attributed to Pierre Gole (1620-1684) Louis XIV, circa 1680 the upper section of breakfront form with three frieze drawers inlaid with lunettes and bellflowers above a cupboard door inlaid with a vase of flowers on a plinth opening to reveal a fitted interior with four drawers and a parquetry floor above a further drawer flanked by panels with a ribbon-tied floral bouquet

Sotheby's James Cox. A gilt and patinated bronze musical automaton table clock, London, circa 1775 3¾-inch silvered dial with subsidiary seconds, date and day dials, signed James Cox, London, two train fusee and chain movement quarter striking on two bells, lever platform escapement, foliate engraved backplate, the drum supported by a flower and rocaille frame above an oval mirror and an arrangement of gryphons and hippocampi with spiral glass simulated water features.

Sotheby's James Cox. A gilt and patinated bronze musical automaton table clock, London, circa 1775 3¾-inch silvered dial with subsidiary seconds, date and day dials, signed James Cox, London, two train fusee and chain movement quarter striking on two bells, lever platform escapement, foliate engraved backplate, the drum supported by a flower and rocaille frame above an oval mirror and an arrangement of gryphons and hippocampi with spiral glass simulated water features.

A PAIR OF GILT-BRONZE-MOUNTED TURNED AND ENGRAVED IVORY COVERED VASES, THE IVORY BY FRANÇOIS VOISIN, THE BRONZES ATTRIBUTED TO PIERRE-PHILIPPE THOMIRE (1751-1843) LOUIS XVI, CIRCA 1785 each of ovoid form, each cover topped by knop, with pierced necks with interlacing half-circles with pierced bodies with spiral fluting bacchic satyr-head handles linked by garlands of vine leaves and grapes, on square bases; some restorations

A PAIR OF GILT-BRONZE-MOUNTED TURNED AND ENGRAVED IVORY COVERED VASES, THE IVORY BY FRANÇOIS VOISIN, THE BRONZES ATTRIBUTED TO PIERRE-PHILIPPE THOMIRE (1751-1843) LOUIS XVI, CIRCA 1785 each of ovoid form, each cover topped by knop, with pierced necks with interlacing half-circles with pierced bodies with spiral fluting bacchic satyr-head handles linked by garlands of vine leaves and grapes, on square bases; some restorations

Tin can Dollhouse furniture Dinning table chairs red velvet folk art copper spiral scroll gold. decor baroque medieval jewelry displ by WonderCabinetArts

Tin can Dollhouse furniture Dinning table chairs red velvet folk art copper spiral scroll gold. decor baroque medieval jewelry displ by WonderCabinetArts

A PAIR OF GILT-BRONZE-MOUNTED TURNED AND ENGRAVED IVORY COVERED VASES, THE IVORY BY FRANÇOIS VOISIN, THE BRONZES ATTRIBUTED TO PIERRE-PHILIPPE THOMIRE (1751-1843) LOUIS XVI, CIRCA 1785 each of ovoid form, each cover topped by knop, with pierced necks with interlacing half-circles with pierced bodies with spiral fluting bacchic satyr-head handles linked by garlands of vine leaves and grapes, on square bases; some restorations

A PAIR OF GILT-BRONZE-MOUNTED TURNED AND ENGRAVED IVORY COVERED VASES, THE IVORY BY FRANÇOIS VOISIN, THE BRONZES ATTRIBUTED TO PIERRE-PHILIPPE THOMIRE (1751-1843) LOUIS XVI, CIRCA 1785 each of ovoid form, each cover topped by knop, with pierced necks with interlacing half-circles with pierced bodies with spiral fluting bacchic satyr-head handles linked by garlands of vine leaves and grapes, on square bases; some restorations

Tin Can Dollhouse Rocking chair Tramp art pin cushion red velvet copper spiral swirl gold. decor baroque medieval jewelry holder by WonderCabinetArts

Tin Can Dollhouse Rocking chair Tramp art pin cushion red velvet copper spiral swirl gold. decor baroque medieval jewelry holder by WonderCabinetArts

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