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Benozzo Gozzoli, The Feast of Herod and the Beheading of Saint John the Baptist

Benozzo Gozzoli The Dance of Salome, , National Gallery of Art, Washington. Read more about the symbolism and interpretation of The Dance of Salome by Benozzo Gozzoli.

It's About Time: 12/15/14

Madonna and Child with Two Angels Artist: Vittore Crivelli (Italian, Venice, active by Fermo

Could there be any greater waste of time than the art world’s constant kerfuffle over the authorship of paintings? That was brought home to me for the umpteenth time the other day at the Brooklyn Museum, when I came across this work from the workshop of the Milanese painter Bernardino Luini, a figure we adored 150 years ago but now almost ignore.  I got huge pleasure from the painting, as Renaissance viewers must also have done, despite knowing that it was just a studio knockoff on a famous…

Brooklyn Museum - Madonna and Child Enthroned with Angels - Workshop of Bernardino Luini - Bernardino Luini - Wikipedia, the free encyclopedia

COECKE VAN AELST Pieter (1502-1550) circle of - Virgin and Child, Saint Joseph and musical Angel.jpg

COECKE VAN AELST Pieter (1502-1550) circle of - Virgin and Child, Saint Joseph and musical Angel.jpg

Carlo Crivelli, ( Venice 1430? – Ascoli Piceno 1495). Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivarini, Squarcione and Mantegna. He left the Veneto by 1458 and spent most of the remainder of his career in the March of Ancona, where he developed a distinctive personal style that contrasts with that of his Venetian contemporary Giovanni Bellini.

Medieval Visions - NOV 2013 / 150 NOTES lyghtmylife: CRIVELLI, Vittore [Italian Early Renaissance Painter, Madonna and Child c. 1482 Tempera on panel, 68 x 52 cm Szépmûvészeti Múzeum, Budapest Source: lyghtmylife

Box bed with head and foot, and chests along the side. This bed has an additional bolster at the foot of the bed. Plain red coverlet.

Bernardo Daddi (c. 1280 – was an early Italian Renaissance painter and the leading painter of Florence of his generation. Polyptych of San Pancrazio: Predella panel before 1338 Tempera on wood, 31 x 17 cm Galleria degli Uffizi, Florence

FCBTC / Jan Gossaert,  'The Adoration of the Kings'  1510-15. Oil on oak. National Gallery, London. The details on this work are just amazing. If you’re wondering what I mean, the red trim on the Black King, Balthazar’s crown, says, “GOSSAERT”.

Jan Mabuse (Jan Gossaert) c. 1478 – 1 October 1532 The Adoration of the Kings National Gallery Descubrir el Arte