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Intercepted by Gravitation

Intercepted by Gravitation

GLITCH ART Breath is the bridge which connects life to consciousness, which unites your body to your thoughts. Whenever your mind becomes scattered, use your breath as the means to take hold of your mind again. — Thich Nhat Hanh

Circle of Baldassarre Franceschini (il Volterrano) (Italian, 1611–1690). Study for a Horse's Head, ca. 1650. The Metropolitan Museum of Art, New York. Gift of Harry G. Friedman, 1957 (57.658.91)

Circle of Baldassarre Franceschini (il Volterrano) (Italian, 1611–1690). Study for a Horse's Head, ca. 1650. The Metropolitan Museum of Art, New York. Gift of Harry G. Friedman, 1957 (57.658.91)

Salvator Rosa (Italian, 1615–1673). Self-Portrait, ca. 1647. The Metropolitan Museum of Art, New York. Bequest of Mary L. Harrison, 1921 (21.105) | According to the inscription, this picture was a gift by Rosa to his friend Giovanni Battista Ricciardi (1624–1686), a man of letters from Pisa. Although it was later described as a portrait of Ricciardi, the figure resembles Rosa and it is likely to be a self-portrait.

Salvator Rosa (Italian, 1615–1673). Self-Portrait, ca. 1647. The Metropolitan Museum of Art, New York. Bequest of Mary L. Harrison, 1921 (21.105) | According to the inscription, this picture was a gift by Rosa to his friend Giovanni Battista Ricciardi (1624–1686), a man of letters from Pisa. Although it was later described as a portrait of Ricciardi, the figure resembles Rosa and it is likely to be a self-portrait.

Henri Fantin-Latour (French, 1836–1904). Self-Portrait, ca. 1858. The Metropolitan Museum of Art, New York. Catharine Lorillard Wolfe Collection, Wolfe Fund, 1995 (1995.91) | At the beginning of his career, between 1854 and 1861, Fantin-Latour executed a large number of self-portraits in chalk, charcoal, and oil.

Henri Fantin-Latour (French, 1836–1904). Self-Portrait, ca. 1858. The Metropolitan Museum of Art, New York. Catharine Lorillard Wolfe Collection, Wolfe Fund, 1995 (1995.91) | At the beginning of his career, between 1854 and 1861, Fantin-Latour executed a large number of self-portraits in chalk, charcoal, and oil.

James Tissot (French, 1836–1902). En plein soleil, ca.1881. The Metropolitan Museum of Art, New York. Gift of Mrs. Charles Wrightsman, 2006 (2006.278) #kids

James Tissot (French, 1836–1902). En plein soleil, ca.1881. The Metropolitan Museum of Art, New York. Gift of Mrs. Charles Wrightsman, 2006 (2006.278) #kids

Auguste Renoir, (French, 1841–1919). Marguerite-Thérèse (Margot) Berard (1874–1956), 1879. The Metropolitan Museum of Art, New York. Bequest of Stephen C. Clark, 1960 (61.101.15) #kids

Auguste Renoir, (French, 1841–1919). Marguerite-Thérèse (Margot) Berard (1874–1956), 1879. The Metropolitan Museum of Art, New York. Bequest of Stephen C. Clark, 1960 (61.101.15) #kids

After a painting by Theude Grönland (German, 1817–1876). Still Life, Autumn, designed 1845, woven 1846. Woven by Rigobert Milice. French, Beauvais. The Metropolitan Museum of Art, New York. Bequest of Julie Heidelbach, 1932 (35.116.6) #tapestrytuesday

After a painting by Theude Grönland (German, 1817–1876). Still Life, Autumn, designed 1845, woven 1846. Woven by Rigobert Milice. French, Beauvais. The Metropolitan Museum of Art, New York. Bequest of Julie Heidelbach, 1932 (35.116.6) #tapestrytuesday

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