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Lighting at Covent Garden Theatre. 17th century theatre lighting, chandeliers could be raised and lowered. Candles required constant upkeep because they would drip hot grease on the audience and actors.

Lighting at Covent Garden Theatre. 17th century theatre lighting, chandeliers could be raised and lowered. Candles required constant upkeep because they would drip hot grease on the audience and actors.

Secret lives of women who broke taboo to act in Shakespeare -They were rarities in Restoration theatre. But, as a new exhibition shows, the Bard’s first actresses were brave pioneers - Margaret Hughes was one of the first actresses to enjoy a successful stage career. Great Elizabethan & Georgian stage stars, such as Will Kempe, Richard Burbage & David Garrick, may not be household names today, but their reputations live on in the theatre. What, though, of the actresses who appeared in the…

Secret lives of women who broke taboo to act in Shakespeare -They were rarities in Restoration theatre. But, as a new exhibition shows, the Bard’s first actresses were brave pioneers - Margaret Hughes was one of the first actresses to enjoy a successful stage career. Great Elizabethan & Georgian stage stars, such as Will Kempe, Richard Burbage & David Garrick, may not be household names today, but their reputations live on in the theatre. What, though, of the actresses who appeared in the…

“The Wits, or Sport on Sport”, 1662 and 1672. This is one of the earliest extant illustrations of the English Restoration stage.The illustration depicts the interior of a London Restoration theatre generally assumed to be  The Red Bull  playhouse in London during the 17th century.  Note the audience watching the play from the upstage balcony.

“The Wits, or Sport on Sport”, 1662 and 1672. This is one of the earliest extant illustrations of the English Restoration stage.The illustration depicts the interior of a London Restoration theatre generally assumed to be The Red Bull playhouse in London during the 17th century. Note the audience watching the play from the upstage balcony.

Women on Stage in Stuart Drama    :  Women on Stage in Stuart Drama provides a  prehistory  of the actress  filling an important gap in established accounts of how women came to perform in the Restoration theatre. Sophie Tomlinson uncovers and analyzes a revolution in theatrical discourse in response to the cultural innovations of two Stuart queens consort  Anna of Denmark and the French Henrietta Maria. Their appearances on stage in masques and pastoral drama engendered a new poetics ...

Women on Stage in Stuart Drama : Women on Stage in Stuart Drama provides a prehistory of the actress filling an important gap in established accounts of how women came to perform in the Restoration theatre. Sophie Tomlinson uncovers and analyzes a revolution in theatrical discourse in response to the cultural innovations of two Stuart queens consort Anna of Denmark and the French Henrietta Maria. Their appearances on stage in masques and pastoral drama engendered a new poetics ...

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