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cloudkill:  “ Mulholland Drive (2001)  ”

Naomi Watts in Mulholland Drive, David Lynch

Alejandro González Iñárritu Birdman gaat over de strijd om aandacht en erkenning. Het is als één lang shot waarin de camera overal langs, tussendoor en doorheen zweeft gefilmd. Vlekkeloze regieshowcase waarin de moeite te zien is. Overgangen moesten onzichtbaar blijven, zodat alles eruit zou blijven zien als één lang shot. Want op die manier probeert Iñárritu zo dicht mogelijk bij toneel te komen. Birdman suggereert - op spectaculaire wijze - een eenheid van tijd en ruimte.

Birdman or (The Unexpected Virtue of Ignorance)

Black-white cinematography from Manhattan (1979) Directed by Woody Allen. Cinematography by Gordon Willis. Starring Woody Allen in leading role with Mariel Hemingway, Diane Keaton and Meryl Steep in supporting roles.

Black-white cinematography from Manhattan (1979) Directed by Woody Allen. Cinematography by Gordon Willis. Starring Woody Allen in leading role with Mariel Hemingway, Diane Keaton and Meryl Steep in supporting roles.

“Blow-Up” (cinematography by Carlo Di Palma directed by Michelangelo Antonioni) 1966 #ImpressiveCinematography, via Dianne Marie Kenney of Brokers

“Blow-Up” (cinematography by Carlo Di Palma directed by Michelangelo Antonioni) 1966 - THE definitive film of the BRILLIANT!

Requiem For A Dream . Cinematography by Matthew Libatique

Requiem For A Dream - Cinematography by Matthew Libatique

"No Country for Old Men" The minute I saw opening shots with no sound, I knew we were in for trouble. Will not see this film again, but have to give it its due.

Again, colour palette, cinematography, lighting, grading. "No Country for Old Men"

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