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Transparensillusjon

Transparensillusjon

HUES are the 12 purest brightest colors forming the full spectrum ~ 3 Primary Colors; 3 Secondary Colors; 6 Tertiary Colors. A TINT (sometimes called a pastel) is any color with white added. A SHADE is any color with black added. A TONE is created by adding gray.

HUES are the 12 purest brightest colors forming the full spectrum ~ 3 Primary Colors; 3 Secondary Colors; 6 Tertiary Colors. A TINT (sometimes called a pastel) is any color with white added. A SHADE is any color with black added. A TONE is created by adding gray.

This is my take on the 3rd edition of the project, an alphabet based on geometric forms, that combines weird perspectives, impossible-like figures, volumes and colours, lots of colours! Hope you like it!

This is my take on the 3rd edition of the project, an alphabet based on geometric forms, that combines weird perspectives, impossible-like figures, volumes and colours, lots of colours! Hope you like it!

Thomas Bohle | Sarah Myerscough Gallery -- "After working for several years in the field of medicine, Bohle became a ceramicist in 1991. His technical interest lies in double-walled vessels in which the strongly differing exterior and interior shapes form a deliberate contrast, in form and colour. Fired in an open reduction flame, the oxblood and celadon glazes reveal their true beauty. The artist also often uses a scalpel, a reminder of his former profession, to shape the worked edges of…

Thomas Bohle | Sarah Myerscough Gallery -- "After working for several years in the field of medicine, Bohle became a ceramicist in 1991. His technical interest lies in double-walled vessels in which the strongly differing exterior and interior shapes form a deliberate contrast, in form and colour. Fired in an open reduction flame, the oxblood and celadon glazes reveal their true beauty. The artist also often uses a scalpel, a reminder of his former profession, to shape the worked edges of…

The Grammar of Ornament: A Visual Reference of Form and Colour in Architecture and the Decorative Arts

The Grammar of Ornament: A Visual Reference of Form and Colour in Architecture and the Decorative Arts

The Grammar of Ornament: A Visual Reference of Form and Colour in Architecture and the Decorative Ar

embroidery pattern @ urban threads However I am enjoying the form and seeing my new garden art for my climbing vine

embroidery pattern @ urban threads However I am enjoying the form and seeing my new garden art for my climbing vine

I know many people think of autumn colors and warm and cozy (browns, maroons, earthy greens), but sometimes autumn can be really vibrant and bold.

Inspired By: Autumn

I know many people think of autumn colors and warm and cozy (browns, maroons, earthy greens), but sometimes autumn can be really vibrant and bold.

“I would describe my practice as well planned spontaneity. I always start with a considered palette and story allowing me to design freely and play with mark making, texture and composition. ” When faced with a design brief, I don’t look for the new; I look back, and guide myself with the inspiration that I’m constantly collecting through everyday life. A very visual person, I will snap until my camera roll is overloaded with images of lines, patterns, colour, composition form...

Cassie Byrnes, Textile + Surface Designer

“I would describe my practice as well planned spontaneity. I always start with a considered palette and story allowing me to design freely and play with mark making, texture and composition. ” When faced with a design brief, I don’t look for the new; I look back, and guide myself with the inspiration that I’m constantly collecting through everyday life. A very visual person, I will snap until my camera roll is overloaded with images of lines, patterns, colour, composition form...

The Grammar of Ornament: A Visual Reference of Form and Colour in Architecture and the Decorative Arts

The Grammar of Ornament: A Visual Reference of Form and Colour in Architecture and the Decorative Arts

Grammar

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