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29. Ce n'est pas un des aspects nocturnes les moins caractéristiques des vieux quartiers de Paris que le travail fantastique des vidangeurs.

29. Ce n'est pas un des aspects nocturnes les moins caractéristiques des vieux quartiers de Paris que le travail fantastique des vidangeurs.

And absinthe, because of its growing popularity and new association with the working class, became a focus of the anti-alcohol movement. Bourgeois fear of working class violence after 1848 also likely played a role in the condemnation of a drink associated with "working class" behavior.

Original Vintage Absinthe Posters at The Virtual Absinthe Museum: Tamagno, Privat-Livemont

Paris prisoners set free - Now THIS is the way to solve the problems in the world

55. L'été, au Bois de Boulogne, une clientèle choisie goute la fraicheur nocturne sous les ombrages du pavillon d' Armenonville.

55. L'été, au Bois de Boulogne, une clientèle choisie goute la fraicheur nocturne sous les ombrages du pavillon d' Armenonville.

This is one of a collection of 27 glass negatives of the ballet Parade, taken by the photographer Lachmann. Parade was first staged by Diaghilev's Ballets Russes at the Théâtre du Châtelet, Paris, in 1917. It had a libretto by Jean Cocteau, music by Erik Satie, and costumes and sets designed by Pablo Picasso. The choreographer, Léonide Massine, danced the role of the Chinese Conjuror.

Parade, Diaghilev Ballets Russes, 1917

Un marchand de lait de chèvre, quelque part dans les rues de Paris, vers 1900.

Sadly, another sight one doesn't see in the City of Light anymore. Un marchand de lait de chèvre, quelque part dans les rues de Paris, vers

Palais de tulleries (1850's)

La place et l'Arc de triomphe du Carrousel et l'ancien palais des Tuileries…

Wedding in a Sinti and Roma camp on the outskirts of Paris (France): The bride in the middle of her trousseau, 1938 by Denise Bellon from a series: La Zone. Un mariage gitan.

Wedding in a Sinti and Roma camp on the outskirts of Paris (France): The bride in the middle of her trousseau, 1938 by Denise Bellon from a series: La Zone. Un mariage gitan.

Brassaï, Gyula Halász (1899 - 1984), “Bijou” of Montmartre (12x9”), 1933

Brassaï, Gyula Halász - “Bijou” of Montmartre 1933

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