A GEORGE IV MAHOGANY LARGE LIBRARY ARMCHAIR AFTER A DESIGN BY JOHN TAYLOR, CIRCA 1825 The padded back, arms and seat upholstered in tan leather, the scrolled toprail with acanthus and flowerhead-carved supports, the padded arms with tapering foliate and flowerhead-carved posts and with a panelled and reeded front rail above reeded legs with brass caps and castors

A GEORGE IV MAHOGANY LARGE LIBRARY ARMCHAIR AFTER A DESIGN BY JOHN TAYLOR, CIRCA 1825 The padded back, arms and seat upholstered in tan leather, the scrolled toprail with acanthus and flowerhead-carved supports, the padded arms with tapering foliate and flowerhead-carved posts and with a panelled and reeded front rail above reeded legs with brass caps and castors

c. 1828 German armchair. Gilded mountain ash; brass mounts and casters; modern upholstery

c. 1828 German armchair. Gilded mountain ash; brass mounts and casters; modern upholstery

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A PAIR OF REGENCY ROSEWOOD BERGERES CIRCA 1820 Each with curved scroll-carved toprail above a caned back and seat on anthemion-headed reeded legs with brass acanthas-cast cups and ball feet

A PAIR OF REGENCY ROSEWOOD BERGERES CIRCA 1820 Each with curved scroll-carved toprail above a caned back and seat on anthemion-headed reeded legs with brass acanthas-cast cups and ball feet

A REGENCY ROSEWOOD, MARQUETRY AND PARCEL- GILT DRUM TABLE AFTER A DESIGN BY THOMAS HOPE, CIRCA 1810 Line-inlaid throughout, the original inset gilt-tooled crimson leather top above four drawers and four false drawers on a spreading triangular base inlaid to each face with a large rosette and wreath on winged paw feet with inset anti-friction castors, labelled '55 A 3ft. 6in. circular inlaid rosewood pedestal writing table with 4 drawers and leather top'

A REGENCY ROSEWOOD, MARQUETRY AND PARCEL- GILT DRUM TABLE AFTER A DESIGN BY THOMAS HOPE, CIRCA 1810 Line-inlaid throughout, the original inset gilt-tooled crimson leather top above four drawers and four false drawers on a spreading triangular base inlaid to each face with a large rosette and wreath on winged paw feet with inset anti-friction castors, labelled '55 A 3ft. 6in. circular inlaid rosewood pedestal writing table with 4 drawers and leather top'

A REGENCY BRASS-MOUNTED ROSEWOOD WRITING TABLE CIRCA 1810, IN THE MANNER OF GILLOWS With tooled leather top and high stretcher 28 ½ in. (72.5 cm.) high; 36 in. (92 cm.) wide; 21 ¼ in. (54 cm.) deep

A REGENCY BRASS-MOUNTED ROSEWOOD WRITING TABLE CIRCA 1810, IN THE MANNER OF GILLOWS With tooled leather top and high stretcher 28 ½ in. (72.5 cm.) high; 36 in. (92 cm.) wide; 21 ¼ in. (54 cm.) deep

1810 ca. Panetiere, or Hanging Bread Cupboard.  French Directoire Period. Fun use of fruitwoods in unusual design, and original beaten iron hanging straps. reindeerantiques.co.uk

1810 ca. Panetiere, or Hanging Bread Cupboard. French Directoire Period. Fun use of fruitwoods in unusual design, and original beaten iron hanging straps. reindeerantiques.co.uk

George Morant ( - 1846) ,An Exhibition Quality Library Table Stamped by the Maker George John Morant of Bond Street London

George Morant ( - 1846) ,An Exhibition Quality Library Table Stamped by the Maker George John Morant of Bond Street London

A REGENCY EGYPTIAN REVIVAL SIMULATED ROSEWOOD AND GILTWOOD SIDE CABINET EARLY 19TH CENTURY With a later marble top above a frieze decorated with stars and a pair of brass grille, doors with Greek-key borders flanked by paired Egyptian figures and guilloche banding below, enclosing a shelf on lion paw feet and plinths, the plinths built up and redecorated, probably echoing the original

A REGENCY EGYPTIAN REVIVAL SIMULATED ROSEWOOD AND GILTWOOD SIDE CABINET EARLY 19TH CENTURY With a later marble top above a frieze decorated with stars and a pair of brass grille, doors with Greek-key borders flanked by paired Egyptian figures and guilloche banding below, enclosing a shelf on lion paw feet and plinths, the plinths built up and redecorated, probably echoing the original

AN ITALIAN GOLD AND TORTOISESHELL PIQUÉ SNUFF-BOX PROBABLY NAPLES, CIRCA 1810, LATER STRUCK WITH A DUTCH IMPORT MARK FOR GOLD rectangular box with rounded corners, the cover and base set with a tortoiseshell panel decorated with gold foliate piqué work highlighted with abalone shell, chased foliate sides

AN ITALIAN GOLD AND TORTOISESHELL PIQUÉ SNUFF-BOX PROBABLY NAPLES, CIRCA 1810, LATER STRUCK WITH A DUTCH IMPORT MARK FOR GOLD rectangular box with rounded corners, the cover and base set with a tortoiseshell panel decorated with gold foliate piqué work highlighted with abalone shell, chased foliate sides

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