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Susanna and the Elders  Object: Tapestry  Place of origin: Tournai, Belgium (probably, made)  Date: ca. 1500 (made)  Artist/Maker: Unknown (production)  Materials and Techniques: Tapestry woven wool and silk, with embroidery  Museum number: 546-1872

Susanna and the Elders Object: Tapestry Place of origin: Tournai, Belgium (probably, made) Date: ca. 1500 (made) Artist/Maker: Unknown (production) Materials and Techniques: Tapestry woven wool and silk, with embroidery Museum number:

Designed by Pieter Coecke van Aelst (Netherlandish, 1502–1550). Seven Deadly Sins: Sloth tapestry (detail), designed ca. 1532 - 1533, woven ca. 1548 - 1549. Woven under the direction of Willem de Pannemaker, Brussels. Kunsthistorisches Museum Wien, Kunstkammer. | This work is featured in "Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry," on view October 8, 2014–January 11, 2015. #tapestrytuesday #granddesign #horses

Designed by Pieter Coecke van Aelst (Netherlandish, Seven Deadly Sins: Sloth tapestry (detail), designed ca. 1548 - Woven under the direction of Willem de Pannemaker, Brussels.

Tapestry with Armorial Bearings and Badges of John, Lord Dynham, ca. 1488–1501. South Netherlandish. The Metropolitan Museum of Art, New York. The Cloisters Collection, 1960 (60.127.1) #cloisters #tapestrytuesday

Tapestry with Armorial Bearings and Badges of John, Lord Dynham; wool warp, wool wefts with a few silk wefts.

"Come And Get It" by Debi Payne of Debi Payne Designs

"Come and Get It" Computer Sleeve by Debi Payne Designs -

Cushion Cover    Date:      1601  Culture:      English  Medium:      Canvas embroidered with wool and silk thread; cross and long-armed cross stitches

Cushion Cover Date: 1601 Culture: English Medium: Canvas embroidered with wool and silk thread; cross and long-armed cross stitche

L'Oasis I French Tapestry

L'Oasis I French Tapestry

Designed by Pieter Coecke van Aelst (Netherlandish, 1502–1550). Fables of Ovid: Flaying Of Marsyas tapestry, ca. 1547–48. Woven under the direction of Willem de Pannemaker, Brussels, before 1556. Patrimonio Nacional, Palacio Real de La Granja de San Ildefonso (TA 19/4, 10004158) | This work is featured in "Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry," on view October 8, 2014–January 11, 2015. #Coecke #tapestrytuesday #granddesign

Fables of Ovid: Flaying Of Marsyas tapestry Designed by Pieter Coecke van Aelst (Netherlandish, Aelst Brussels) Maker: Woven under the direction of Willem de Pannemaker (Flemish, active Brussels, died

Woven by Seger Bombeck (German, active 1545–1552). Augustus I of Saxony (1526–1586), 1550. The Metropolitan Museum of Art, New York. Bequest of Susan Dwight Bliss, 1966 (67.55.97) | This tapestry panel, made of wool, silk, and silver threads, depicts Augustus I of Saxony standing between marble columns and in front of a luxurious velvet wallcovering.  During this period in history, a tapestry portrait would have been more valuable than a painted portait. #tapestrytuesday

Tapestry of Augustus I of Saxony Woven by Seger Bombeck (German, active The Metropolitan Museum of Art, New York. Bequest of Susan Dwight Bliss, 1966

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Art Noveau - Spring Chenille Wall Hanging. The Art Noveau Spring Belgian chenille wall hanging tapestry features the work of famous artist Alphonse Mucha producted in 1896. This beautiful tapestry represents one of the four seasons, specifically the coming of spring. Shown against a sun-drenched background, the woman is holding flowers, the symbol of the harvest.

Spring Mucha European Wall Hanging

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