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Kelise Franclemont, 'A Walk through Palestine', 2015, installation of digital prints, found objects, and sound, in the MA Fine Art 2015 Summer Show at Chelsea College of Arts, London. Photo credit Kelise Franclemont.

Rigour, taking risks, and something to say – MA Fine Art Summer Show 2015 at Chelsea College of Arts, London

Jonathan Slaughter, in the MA Fine Art 2015 Summer Show at Chelsea College of Arts, London. Photo credit Kelise Franclemont.

Jonathan Slaughter, in the MA Fine Art 2015 Summer Show at Chelsea College of Arts, London.

Work by Kaveh Ossia, in the MA Fine Art 2015 Summer Show at Chelsea College of Arts, London. Photo credit Kelise Franclemont.

Work by Kaveh Ossia, in the MA Fine Art 2015 Summer Show at Chelsea College of Arts, London.

Christopher Ward working in studio at Chelsea College of Arts, London.

Christopher Ward working in studio at Chelsea College of Arts, London.

Designed by Tessel Bruhl and embroidered by Fida Bannoura. ‘Made in China’ scarf, cotton, 130 cm x 130 cm. Image courtesy the artists and Disarming Design.

Qalandiya International – ‘Disarming Design’ show by Palestinian collective offers objects with ‘alternative narrative’ – Ramallah, Palestine

Athier, ‘Man of War III (Edition)’, 2014, archival print on cotton paper, in ‘Man of War’ at Edge of Arabia, London. Image courtesy Edge of Arabia.

Athier, ‘Man of War III (Edition)’, archival print on cotton paper, in ‘Man of War’ at Edge of Arabia, London. Image courtesy Edge of Arabia.

Liberty Antonia Sadler. In 2016 MA Fine Art show, you’ll find the figurative, the fanciful, and all realms between – Chelsea College of Arts, London | kelise

In 2016 MA Fine Art show, you’ll find the figurative, the fanciful, and all realms between – Chelsea College of Arts, London

Could be considered a drawing? Donghwa Lee, installation view in MA Fine Art Summer Show 2014 at Chelsea College of Arts, London. Photo credit Kelise Franclemont.

Could be considered a drawing? Donghwa Lee, installation view in MA Fine Art Summer Show 2014 at Chelsea College of Arts, London.

Jumana Emil Abboud, installation view of ‘A Happy Ending part II’ series, 2015, drawings, olive wood, clay in ‘Echoes and Reverberations’ at Hayward Gallery Project Space, Southbank Centre London. Photo credit Kelise Franclemont.

Three highlights from Shubbak Festival London – dance, public installation, and visual arts

Samah Hijawi, ‘Paradise Series’, 2013, collage and audio with headphones, in ‘Echoes and Reverberations’ at Hayward Gallery Project Space, Southbank Centre London. Photo credit Kelise Franclemont.

Samah Hijawi, ‘Paradise Series’, collage and audio with headphones, in ‘Echoes and Reverberations’ at Hayward Gallery Project Space, Southbank Centre London.

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