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Former Residents of a Fukushima Exclusion Zone Return Home in Emotional Portraits #inspiration #photography

Former Residents of a Fukushima Exclusion Zone Return Home in Emotional Portraits #inspiration #photography

【FMT871.COM】포뮬러원카지노 카지노베이 인터넷카지노 주소 12벳온라인카지노 카지노사이트주소 온라인바카라게임 인터넷카지노 아시안바카라 인터넷카지노 무료카지노 온라인카지노 카지노베이 온라인바카라 카지노야마토 실시간카지노 태양성바카라 온라인카지노 인터넷카지노 인터넷카지노 온라인야마토 인터넷바카라 포뮬러원카지노

【FMT871.COM】포뮬러원카지노 카지노베이 인터넷카지노 주소 12벳온라인카지노 카지노사이트주소 온라인바카라게임 인터넷카지노 아시안바카라 인터넷카지노 무료카지노 온라인카지노 카지노베이 온라인바카라 카지노야마토 실시간카지노 태양성바카라 온라인카지노 인터넷카지노 인터넷카지노 온라인야마토 인터넷바카라 포뮬러원카지노

“You don’t think about depression that you’ve put on a gray veil and are seeing the world through the haze of a bad mood. You think that the veil has been taken away, the veil of happiness, and that now you’re seeing truly. It’s easier to help schizophrenics who perceive that there’s something foreign inside of them that needs to be exorcised, but it’s difficult with depressives, because we believe we are seeing the truth. But the truth lies.” (Andrew Solomon)

“You don’t think about depression that you’ve put on a gray veil and are seeing the world through the haze of a bad mood. You think that the veil has been taken away, the veil of happiness, and that now you’re seeing truly. It’s easier to help schizophrenics who perceive that there’s something foreign inside of them that needs to be exorcised, but it’s difficult with depressives, because we believe we are seeing the truth. But the truth lies.” (Andrew Solomon)

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19_MG_6937.jpg

In Retracing Our Steps, French photographers Carlos Ayesta and Guillaume Bression asked some of the 80,000 nuclear refugees forced to evacuate areas near Fukushima to return to the places they once knew, a process that took nearly four years of detective work and jumping through administrative hoops. What they found was a world that had become almost unrecognizable, but also stories that were deeply human, calling to mind Auden's famous poem Musée des Beaux Arts.

In Retracing Our Steps, French photographers Carlos Ayesta and Guillaume Bression asked some of the 80,000 nuclear refugees forced to evacuate areas near Fukushima to return to the places they once knew, a process that took nearly four years of detective work and jumping through administrative hoops. What they found was a world that had become almost unrecognizable, but also stories that were deeply human, calling to mind Auden's famous poem Musée des Beaux Arts.

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