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STUDIES OF SEA NYMPHS. 1672. chalk with pen and brown wash. 15,5 × 22 cm. Signed and dated " testa de lamedusa CLAVDIO FECIT 1672 ". London. British Museum. Inv. No. Oo. 8 - 260  ( MRD 1068 ).

STUDIES OF SEA NYMPHS. 1672. chalk with pen and brown wash. 15,5 × 22 cm. Signed and dated " testa de lamedusa CLAVDIO FECIT 1672 ". London. British Museum. Inv. No. Oo. 8 - 260 ( MRD 1068 ).

Claude Gellee, called Claude Lorraine, Campagna Landscape, 1660. Pen and bister with wash, 32 x 21.6 cm. British Museum, London.

Claude Gellee, called Claude Lorraine, Campagna Landscape, 1660. Pen and bister with wash, 32 x 21.6 cm. British Museum, London.

LANDSCAPE WITH TOBIAS AND THE ANGEL. 1663. oil on canvas. 116 × 158,5 cm. Liber Veritatis : drawing n. 160. The preparatory drawings are in Monaco, Staatliche Graphische Sammlung ( catalogue of Rothlisberger n. 915 ); in London, British Museum ( catalogue of Rothlisberger n. 913 and 914 ) and one in Berlin, Kupferstichkabinett ( catalogue of Rothlisberger n. 917 ). Saint Petersburg . Hermitage. Inv. No. 1236.

LANDSCAPE WITH TOBIAS AND THE ANGEL. 1663. oil on canvas. 116 × 158,5 cm. Liber Veritatis : drawing n. 160. The preparatory drawings are in Monaco, Staatliche Graphische Sammlung ( catalogue of Rothlisberger n. 915 ); in London, British Museum ( catalogue of Rothlisberger n. 913 and 914 ) and one in Berlin, Kupferstichkabinett ( catalogue of Rothlisberger n. 917 ). Saint Petersburg . Hermitage. Inv. No. 1236.

The Origin of Coral or Perseus with Head of the Medusa - Claude Lorrain (Gellee) - www.claudelorrain.org

The Origin of Coral or Perseus with Head of the Medusa - Claude Lorrain (Gellee) - www.claudelorrain.org

LANDSCAPE STUDY WITH NARCISSUS. pen and brown wash. 11,5 × 17,7 cm. London. British Museum. Inv. No. Oo. 6 - 68. ( MRD 548 ).

LANDSCAPE STUDY WITH NARCISSUS. pen and brown wash. 11,5 × 17,7 cm. London. British Museum. Inv. No. Oo. 6 - 68. ( MRD 548 ).

LANDSCAPE WITH SAINT JOHN THE BAPTIST AND ANGELS. 1647 c.- pen and brown - grey wash. 19,9 × 28,8 cm. London. British Museum. Inv. No. Oo. 6 - 129  ( MRD 647 ).

LANDSCAPE WITH SAINT JOHN THE BAPTIST AND ANGELS. 1647 c.- pen and brown - grey wash. 19,9 × 28,8 cm. London. British Museum. Inv. No. Oo. 6 - 129 ( MRD 647 ).

RIPA GRANDE IN ROME. 1638 c.- pen with brown and grey wash. 25 × 21,4 cm. Signed " CLAVDIO fecit / ripa grande ". London. British Museum. Inv. No. Ff. 2 - 156 ( MRD 280 ).

RIPA GRANDE IN ROME. 1638 c.- pen with brown and grey wash. 25 × 21,4 cm. Signed " CLAVDIO fecit / ripa grande ". London. British Museum. Inv. No. Ff. 2 - 156 ( MRD 280 ).

LANDSCAPE WITH AENEAS AND THE CUMAEAN SIBYL. 1677. pen with brown wash and some heightening. 22,5 × 37,7 cm. Signed and dated " CLAVDIO. IVF / ROMAE 1677 ". London. British Museum. Inv. No. Oo. 7 - 147  ( MRD 1106 ).

LANDSCAPE WITH AENEAS AND THE CUMAEAN SIBYL. 1677. pen with brown wash and some heightening. 22,5 × 37,7 cm. Signed and dated " CLAVDIO. IVF / ROMAE 1677 ". London. British Museum. Inv. No. Oo. 7 - 147 ( MRD 1106 ).

Claude Gellee, paintings - Landscape with Christ on the Road to Emmaus

Claude Gellee, paintings - Landscape with Christ on the Road to Emmaus

STUDY FOR COAST SCENE WITH THE LANDING OF AENEAS. chalk, pen and brown wash with some heightening on reddish tinted paper. 19,2 × 26,7 cm. London. British Museum. Inv. No. Oo. 7 - 160  ( MRD 689 ).

STUDY FOR COAST SCENE WITH THE LANDING OF AENEAS. chalk, pen and brown wash with some heightening on reddish tinted paper. 19,2 × 26,7 cm. London. British Museum. Inv. No. Oo. 7 - 160 ( MRD 689 ).

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