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Canaletto (Venice 1697-Venice 1768), The Arch of Septimus Severus, 1742, part of a set of five Roman view. Oil on canvas, 192.2 x 106.5 cm, RCIN 400700, Royal Collection Trust/ © Her Majesty Queen Elizabeth II 2016

Canaletto (Venice 1697-Venice 1768), The Arch of Septimus Severus, 1742, part of a set of five Roman view. Oil on canvas, 192.2 x 106.5 cm, RCIN 400700, Royal Collection Trust/ © Her Majesty Queen Elizabeth II 2016

Canaletto (Venice 1697-Venice 1768), Piazza San Marco looking East towards the Basilica and the Campanile, c.1723–4,  part of a set of six views of Venice. Oil on canvas, RCIN 405934, Royal Collection Trust/ © Her Majesty Queen Elizabeth II 2016

Canaletto (Venice 1697-Venice 1768), Piazza San Marco looking East towards the Basilica and the Campanile, c.1723–4, part of a set of six views of Venice. Oil on canvas, RCIN 405934, Royal Collection Trust/ © Her Majesty Queen Elizabeth II 2016

Canaletto (Venice 1697-Venice 1768), The Bacino di San Marco on Ascension Day, c.1733–4. Oil on canvas, 76.8 x 125.4 cm, RCIN 404417, Royal Collection Trust/ © Her Majesty Queen Elizabeth II 2016

Canaletto (Venice 1697-Venice 1768), The Bacino di San Marco on Ascension Day, c.1733–4. Oil on canvas, 76.8 x 125.4 cm, RCIN 404417, Royal Collection Trust/ © Her Majesty Queen Elizabeth II 2016

Canaletto (Venice 1697-Venice 1768), A Regatta on the Grand Canal, c.1733-4. Oil on canvas, 77.1 x 125.7 cm, RCIN 404416, Royal Collection Trust/ © Her Majesty Queen Elizabeth II 2016

Canaletto (Venice 1697-Venice 1768), A Regatta on the Grand Canal, c.1733-4. Oil on canvas, 77.1 x 125.7 cm, RCIN 404416, Royal Collection Trust/ © Her Majesty Queen Elizabeth II 2016

Marco Ricci (Belluno 1676-Venice 1730), Caprice View with Roman Ruins, 1729. Oil on canvas, 104.1 x 138.4 cm, RCIN 404141, Royal Collection Trust/ © Her Majesty Queen Elizabeth II 2016

Marco Ricci (Belluno 1676-Venice 1730), Caprice View with Roman Ruins, 1729. Oil on canvas, 104.1 x 138.4 cm, RCIN 404141, Royal Collection Trust/ © Her Majesty Queen Elizabeth II 2016

Antonio Visentini (Venice 1688- Venice 1782), Album of prints and drawings by Antonio Visentini, circa 1730 - circa 1740; Leather-bound in brown sheepskin with gold tooling,| 55.0 x 44.0 cm, RCIN 970137, Royal Collection Trust/ © Her Majesty Queen Elizabeth II 2016

Antonio Visentini (Venice 1688- Venice 1782), Album of prints and drawings by Antonio Visentini, circa 1730 - circa 1740; Leather-bound in brown sheepskin with gold tooling,| 55.0 x 44.0 cm, RCIN 970137, Royal Collection Trust/ © Her Majesty Queen Elizabeth II 2016

Ceremonial Horseback Portrait of Prince Lakhpatji of Kutch with Four Attendants. Kutch or Nagaur, c.1750. Opaque watercolour heightened with gold on paper. Image : 12.5 x 9.5 in (31.8 x 24.1 cm

Ceremonial Horseback Portrait of Prince Lakhpatji of Kutch with Four Attendants. Kutch or Nagaur, c.1750. Opaque watercolour heightened with gold on paper. Image : 12.5 x 9.5 in (31.8 x 24.1 cm

An Imperial Celadon Jade ‘Ba Zheng Mao Nian Zhi Bao’ Seal. Qing Dynasty, Qianlong Period, 2 ¼ by 2 ¼ in., 6 by 6 cm. Sotheby's

An Imperial Celadon Jade ‘Ba Zheng Mao Nian Zhi Bao’ Seal. Qing Dynasty, Qianlong Period, 2 ¼ by 2 ¼ in., 6 by 6 cm. Sotheby's

A set of four Chinese European subject enamel plaques, probably Beijing. Circa 1740. Photo courtesy Marchant

A set of four Chinese European subject enamel plaques, probably Beijing. Circa 1740. Photo courtesy Marchant

Jade Scroll Weight. Yongzheng Period. 6 x 3 x 1 inches (15.8 x 7.9 x 2.5 cm).

Jade Scroll Weight. Yongzheng Period. 6 x 3 x 1 inches (15.8 x 7.9 x 2.5 cm).

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