Explore Equus Art, Horse Art and more!

By Liudmilla Eliseeva

By Liudmilla Eliseeva

Attributed to Francesco Allegrini (Italian, 1615/20–after 1679). Man on Horseback with Attendant, 1624–63. The Metropolitan Museum of Art, New York. Gift of Cornelius Vanderbilt, 1880 (80.3.311) #horses

Attributed to Francesco Allegrini (Italian, 1615/20–after 1679). Man on Horseback with Attendant, 1624–63. The Metropolitan Museum of Art, New York. Gift of Cornelius Vanderbilt, 1880 (80.3.311) #horses

Painting by Habiballah of Sava (active ca. 1590–1610). A Stallion, The Metropolitan Museum of Art, New York. Purchase, Louis E. and Theresa S. Seley Purchase Fund for Islamic Art, The Edward Joseph Gallagher III Memorial Collection, Edward J. Gallagher Jr. Bequest, and Richard S. Perkins and Margaret Mushekian Gifts, 1992 (1992.51) #horses

Painting by Habiballah of Sava (active ca. 1590–1610). A Stallion, The Metropolitan Museum of Art, New York. Purchase, Louis E. and Theresa S. Seley Purchase Fund for Islamic Art, The Edward Joseph Gallagher III Memorial Collection, Edward J. Gallagher Jr. Bequest, and Richard S. Perkins and Margaret Mushekian Gifts, 1992 (1992.51) #horses

Utagawa Yoshitora, (Japanese, active ca. 1850–80). An American on Horseback, ca. 1861. The Metropolitan Museum of Art, New York. Gift of Lincoln Kirstein, 1959 (JP3183) #horses

Utagawa Yoshitora, (Japanese, active ca. 1850–80). An American on Horseback, ca. 1861. The Metropolitan Museum of Art, New York. Gift of Lincoln Kirstein, 1959 (JP3183) #horses

Pierre Bonnard (French, 1867–1947). The Dogs, 1893. The Metropolitan Museum of Art, New York. Purchase, Mr. and Mrs. Dave H. Williams Gift, 1988 (1988.1098) #dogs

Pierre Bonnard (French, 1867–1947). The Dogs, 1893. The Metropolitan Museum of Art, New York. Purchase, Mr. and Mrs. Dave H. Williams Gift, 1988 (1988.1098) #dogs

Utagawa Yoshitomi, (Japanese, active mid-19th century). An American Drawn from Life, 1861. The Metropolitan Museum of Art, New York. Gift of Lincoln Kirstein, 1959 (JP3329) #horses

Utagawa Yoshitomi, (Japanese, active mid-19th century). An American Drawn from Life, 1861. The Metropolitan Museum of Art, New York. Gift of Lincoln Kirstein, 1959 (JP3329) #horses

Edgar Degas (French, 1834–1917). Race Horses, ca. 1885–88. The Metropolitan Museum of Art, New York. The Walter H. and Leonore Annenberg Collection, Gift of Walter H. and Leonore Annenberg, 1999, Bequest of Walter H. Annenberg, 2002 (1999.288.3) | Degas undertook racing scenes throughout his career, characteristically manipulating his horses and jockeys from one picture to the next. #horses

Edgar Degas (French, 1834–1917). Race Horses, ca. 1885–88. The Metropolitan Museum of Art, New York. The Walter H. and Leonore Annenberg Collection, Gift of Walter H. and Leonore Annenberg, 1999, Bequest of Walter H. Annenberg, 2002 (1999.288.3) | Degas undertook racing scenes throughout his career, characteristically manipulating his horses and jockeys from one picture to the next. #horses

Jacques Callot (French, 1592–1635). Study of a Horse (recto); Study of a Standing Horse (verso). The Metropolitan Museum of Art, New York. Promised Gift of Mr. and Mrs. David M. Tobey, and Purchase, Mr. and Mrs. David M. Tobey Gift, 2000 (2000.253a, b) #horses

Jacques Callot (French, 1592–1635). Study of a Horse (recto); Study of a Standing Horse (verso). The Metropolitan Museum of Art, New York. Promised Gift of Mr. and Mrs. David M. Tobey, and Purchase, Mr. and Mrs. David M. Tobey Gift, 2000 (2000.253a, b) #horses

Antonio Pollaiuolo (Italian, ca. 1432–1498). Study for the Equestrian Monument to Francesco Sforza, early to mid 1480s. The Metropolitan Museum of Art, New York. Robert Lehman Collection, 1975 (1975.1.410) | The ambitious pose of the rearing horse, which is also found in Leonardo’s early studies, may have been inspired by the ancient Roman Dioscuri, Milanese coinage, or painted works by the two masters. #horses

Antonio Pollaiuolo (Italian, ca. 1432–1498). Study for the Equestrian Monument to Francesco Sforza, early to mid 1480s. The Metropolitan Museum of Art, New York. Robert Lehman Collection, 1975 (1975.1.410) | The ambitious pose of the rearing horse, which is also found in Leonardo’s early studies, may have been inspired by the ancient Roman Dioscuri, Milanese coinage, or painted works by the two masters. #horses

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