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'Art critic Jeffrey Deitch called it “disjointed street poetry” and remembered that “Back in the late seventies, you couldn’t go anywhere interesting in Lower Manhattan without noticing that someone named SAMO had been there first."'

'Art critic Jeffrey Deitch called it “disjointed street poetry” and remembered that “Back in the late seventies, you couldn’t go anywhere interesting in Lower Manhattan without noticing that someone named SAMO had been there first."'

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